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Author Information: Anke Graness, University of Hildesheim, anke.graness@atunivie.ac.at.

Graness, Anke. “What Is ‘Genuine’ African Philosophy? An Answer to John Lamola.” Social Epistemology Review and Reply Collective 8, no. 4 (2019): 6-13.

The pdf of the article gives specific page references. Shortlink: https://wp.me/p1Bfg0-47Q

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This article responds to Lamola, John. “Will We Ever Have a Genuine African Philosophy?Social Epistemology Review and Reply Collective 8, no. 1 (2019): 39-45.

In his review of the The Palgrave Handbook of African Philosophy, edited by Adeshina Afolayan and Toyin Falola (2017), South African philosopher John Lamola regrets that the volume does not contribute to the task of developing a ‘genuine African philosophy’. But what is a ‘genuine’ philosophy, whether it be African, European, Asian, or any other? Or to put it in a different way, what makes a philosophy ‘genuine’?

Conditions of Original Genuineness

According to Lamola, the precondition for a ‘genuine African philosophy’ is ‘an epistm that is crafted and articulated in an African language by persons whose lived-experience is embedded in Africa, and/or what Africa represents to the world’. On the basis of this tentative definition and Lamola’s critique of the volume, I would first like to discuss some of the achievements and shortcomings of The Palgrave Handbook of African Philosophy, then return to the question of ‘genuine’ philosophy.

The Palgrave Handbook of African Philosophy tries to cover a wide range of topics. The first part, ‘Preliminaries and Reappraisals’, includes essays which discuss such fundamental subjects as the issues that confront historians of African philosophy (‘Rethinking the History of African Philosophy’, by Safro Kwame); the difficulties posed by the use of indigenous and colonial languages in intellectual life (‘Revisiting the Language Question in African Philosophy’, by Godfrey Tangwa); and the diverse concepts of logic in African cultures (‘The Question of African Logic: Beyond Apologia and Polemics’, by Jonathan O. Chimakonam).

It also traces major trends in twentieth-century African philosophy in essays that discuss influential philosophers and their works, including ‘A Philosophical Re-reading of Fanon, Nkrumah, and Cabral in the Age of Globalization and Postmodernity’, by Teodros Kiros; ‘Africanizing Philosophy: Wiredu, Hountondji, and Mudimbe’, by Dismas Masolo; and ‘Oruka and Sage Philosophy: New Insights in Sagacious Reasoning’, by Gail Presbey.

Part II of the handbook, ‘Philosophical Traditions and African Philosophy’, introduces specific philosophical traditions of the continent, including essays on classical Ethiopian philosophy (by Teodros Kiros, 181–206) and Islamic philosophy (by A.G.A. Bello, 223–230), and discusses ideas developed in the diaspora, including Afrocentricity (by Molefi K. Asante, 231–244), Africana philosophy (by Lucius T. Outlaw, 245–268), or presents examples of comparative philosophy, for example Confucianism and African philosophy (by Thaddeus Metz, 207–222).

Part III is topic-centred and includes articles on African Feminism (by Louise du Toit and Azille Coetzee, 333-348, and Olayinka Oyeleye, 349–370), philosophy and sexuality (by Workineh Kelbessa, 371–390), nationalism (by Pieter Boele van Hensbroek, 405–416), communitarianism (by Ifeanyi Menkiti, 461–474), Ubuntu (by Leonhard Praeg, 493–506), African cinema (by Adeshina Afolayan, 525–538) and the philosophy of science (Helen Lauer, 539–553).

Part IV, entitled ‘African Development and African Philosophy’, presents essays on such urgent issues of our time as good leadership (‘Supporting African Renaissance: Afrocentric Leadership and the Imperative of Strong Institutions’, by Lesiba Teffo, 557–570), democratic governance (‘Africa and the Philosophy of Democratic Governance’, by Polycarp Ikuenobe, 571–584) and the environment (Humanitatis-Eco (Eco-Humanism): An African Environmental Theory’, by Michael O. Eze, 621–632, and ‘Ubuntu and the Environment’, by Edwin Etieyebo, 633–658), as well as terrorism (‘African Philosophy in a World of Terror’, by Leonhard Praeg, 659–670) and peace (‘Yorùbá Conception of Peace’, by Adebola B. Ekanola, 671–680).

The last part of the book is entirely dedicated to essays on the challenges of including African philosophy in the curricula of our universities and schools (for example, ‘Teaching African Philosophy and a Postmodern Dis-Position’, by Philip Higgs, 765–778, and ‘An African Philosophy for Children: Towards a Situated Paradigm’, by Amasa P. Ndofirepi, 779–794). The book closes with a ‘Bibliographical Report on African Philosophy’ (by Anthony O. Chukwu, 813–826). Including the index, there are more than 850 pages on African philosophy, but, apparently (for Lamola), there is no ‘genuine’ African philosophy in sight.

The State of the Tradition: African Philosophy

In my opinion, the The Palgrave Handbook of African Philosophy offers a comprehensive survey of the state of and debates in African philosophy by summarizing basic issues of doing African philosophy (particularly in Part I), presenting particular traditions of philosophy in Africa and the African diaspora (Part II), and discussing recent issues of philosophical interest in the twenty-first century from different angles (Parts III–V).

It is a valuable and timely contribution to a task which started back in the 1980s with African Philosophy: An Introduction, edited by Richard A. Wright (1984), and continued with African Philosophy: An Anthology, edited by Emmanuel C. Eze (1998), and the well-known Blackwell Companion to African Philosophy, edited by Kwasi Wiredu (2004). A similar project is the lesser-known but extremely rich two-volume Reclaiming the Human Sciences and Humanities through African Perspectives, edited by Helen Lauer and Kofi Anyidoho (2012), which although it transcends the discipline of philosophy, includes a majority of articles on philosophical topics, many of them written by influential African and non-African philosophers of our time.

Anthologies on African philosophy are designed to provide the academic community with ‘an up-to-date go-to source on African philosophy in the global age’—as Lamola puts it (Lamola, 39). Lamola’s comment is intended to be rather critical, but I think it is a good description and even a compliment for a volume which is meant to serve as a tool for teaching and research in African philosophy. Teaching and research depend on such ‘up-to-date go-to’ sources.

The new volume differs from previous collections in that questions which dominated the discourse for decades—Is there an African philosophy? What is ‘African’ in African philosophy? What are the traits that distinguish a philosophy as ‘African’?—have been set aside completely or are mentioned only in summaries of closed debates (see the introduction by Afolayan and Falola, 1-16; ‘African Philosophy: Appraisal of a Recurrent Problematic’, 19-33, and ‘Revisiting the Language Question in African Philosophy’, 129-40, both by Godfrey Tangwa; and ‘Rethinking the History of African Philosophy’, 97-104, by Safro Kwame). The focus is definitely on recent work in African philosophy.

A View of Lamola’s Critiques

But it is not the thematic range of the content that Lamola criticises. At the centre of his concerns are ‘issues relating to the epistemic sovereignty of Africa’ (39). Lamola asserts that ‘the reconstruction of African thought is carried out in The Handbook through the prism of Euro-American globalism’, and thus, that global economic power dynamics continue to determine the prospects of Africa’s epistemic sovereignty (40). Among the anthology’s faults he includes not only the lack of ‘a formal article that problematises globalisation as it affects Africa’, but also the choice of topics and authors, which seems to him to reflect a dependency on Euro-American epistemes (42).

Lamola concurs with the editors that there is a need for African philosophers to be deeply entangled in the realities on the African continent, but he asks, ‘But how can this be achieved when those who are Afrophilosophising are sitting in Florida, Austria and the Europeanised enclaves of South African life? Has this African discipline made any progress when approximately twelve out of forty-three of the contributors to this important reference guide on contemporary African thought are non-indigenous Africans?’ (42)

I completely agree with Lamola that this is indeed a problem–even though in an ideal world it shouldn’t be, since the study of philosophical topics should be guided by interests and not dependent on the origin of the philosopher. I think limiting each philosopher to the study of the traditions of his or her own cultural context is not really helpful, and to do so would destroy the philosophical enterprise of wondering and seeking the roots of knowledge about our world.

I also wonder if Lamola would raise the same objections about an anthology on classical German philosophy authored by a group of mostly non-German, anglophone writers—which is actually the case with any given handbook on Kant. Would Lamola suggest that, for example, Kant’s philosophy is part of the universal heritage of humanity, accessible to anyone who would like to deal with it, but African philosophy is not? Should we measure European and African philosophy with different scales? Such an approach would relegate African philosophy to the curio cabinet once again.

An Intersectional Parry

As I mentioned above, I agree with Lamola’s concerns about the (cultural, politico-economic) background of the handbook’s authors. As long as we are not living in an ideal world and colonial structures persist in the academic landscape, we must pay attention to them, even in respect of the contributors to a volume. However, what Lamola does not notice and therefore does not criticise—but should—is the fact that the author list is dominated by men.

Philosophers differ not only in their geographical and socio-political backgrounds, but also in gender. Altogether, there are only seven women whose work is included in this publication: three white philosophers from the US and Europe, two white philosophers from South Africa, and only ONE black African, a doctoral philosophy student from Nigeria.[1] My apologies for referring to skin colours here, but unfortunately, skin colour, like gender, still matters—even in academe.

Interestingly, the list of female contributors seems to reflect quite well the global asymmetries of academe. Moreover, the three African women’s essays were about African feminism—of course! What else would women philosophers write about? Many of our male colleagues still seem unable to imagine that women deal with a wide range of philosophical issues. Where are all the distinguished black African women philosophers one would expect to appear in such an important work?

Sophie Oluwole (unfortunately passed away in Dec. 2018), Nkiru Nzegwu, Betty Wambui, Tanella Boni, to mention only a few, all ‘genuine’ philosophers with ‘genuine’ philosophy PhDs—none of them contributed to the handbook. Editors should make more of an effort to include their female African colleagues in such important publications! I can practically repeat here my sentence above: as long as we are not living in an ideal world and patriarchal structures persist in the academic landscape, we must pay attention to gender, even in respect of the contributors to a book.

Definitions of African

But back to Lamola: For Lamola, the definition of ‘African philosopher’ remains crucial; the validity of the knowledge depends upon the background (or even ethnicity) of the person who produces it. Lamola disagrees with my statement (Graness 2018) that a definition of the term ‘African philosophy’ is crucial because the continental affiliation of those who practise philosophy in Africa is less important than the definition and demarcation of the content.

I base my argument on—among other things—the question of the distribution of financial resources, arguing that an African Wittgenstein specialist would certainly have plenty of funding possibilities available via various kinds of funding foundations and research programmes in such things as analytic philosophy, philosophy of language, and continental philosophy, whereas an African philosopher dealing with marginalised and formerly excluded African philosophical traditions would have hardly any funding prospects at all.

Lamola asks: ‘Is this all that it comes down to? Is it a fact that until African scholarship and institutions have their own African financial fountains, we will forever have to have themes, books and conferences whose leitmotif will be dictated from the “developed North”?’ Now, in a tentative attempt to answer Lamola’s intriguing questions: No, of course not, funding is not all it comes down to. Nevertheless, knowledge production always emerges in specific economic and political power relations, as well as in a situation of epistemic hegemonies.

Knowledge never emerged in a vacuum, but always under very concrete historical, political, and economic conditions, as well as under historically shaped conditions of cultural and epistemic domination.[2] It would be fatal to ignore this and to assume that one could produce knowledge independently and autonomously, that is, free from these conditions. Only a critical distance from the conditions of knowledge production frees us to a certain degree and enables us to criticise or change those conditions. Once the canonizing power of certain factors is recognised, such factors can be changed. (Graness 2015)

Does Definition Create a One-Dimensional Human?

Moreover, I do not reject the importance of the origin of an author, but I do think that origin or background means far more than geography. Class, race, and gender are aspects with the same relevance which, moreover, point to power hierarchies within a certain geographical or social context like the academe.

Indeed, what I criticise is the one-dimensionality of attempts to define who an African philosopher is or might be that are based on a question which ignores other determinants of a speaker’s positioning and discounts the mobility of human beings and the personal and intellectual exchange between humans. Such attempts also ignore the existence of a large number of multicultural people who grew up at the intersection of bordering cultures, countries, or even religions and are at home in more than one.

Furthermore, Lamola strongly criticises the criteria for measuring progress in philosophy that were suggested by the editors Afolayan and Falola in their introduction. He objects to the fact that the editors uphold ‘relevance to and in the global age […] as the litmus test of the contemporary efficacy of African philosophy’ (42). I think Lamola’s critique does not do justice to the editors’ rather extensive discussion of the question of the possibility of progress in philosophy, a discipline where Plato and Aristotle are as current and influential as they were 2000 years ago.

The authors suggest that progress in philosophy cannot be measured by the same criteria as in science, where the accumulation of knowledge is one decisive criterion of progress. Like John Kekes, they suggest considering philosophy a ‘problem-solving enterprise’ for generating solutions to perennial problems (10), specifically problems of the human condition.

I think we cannot neglect the fact that globalization, climate change, and other vast, all-encompassing challenges are the basic human issues of our time – of our human condition – for which philosophers worldwide must seek solutions. African philosophers cannot and should not ignore those challenges.

Moreover, Afolayan and Falola’s admonition that African philosophy, if it is to be relevant, must face Africa’s problems instead of losing itself in sophisticated argumentation or indulging in ‘the joy of internal philosophical squabbles’ (13) could be directed to present-day European and North American analytic philosophers as well. Even though I do not agree with Lamola’s critique of Afolayan and Falola, I think that his quest for an independent African episteme raises important questions, namely, has African philosophy really progressed, or can it ever progress if anthologies that canonise its developmental stages can only be undertaken by publishing interests that are based in the colonial metropolises?

Following the Markets to Uncomfortable Places

And why are these collections being published by global entities like Blackwell and Palgrave Macmillan? The Handbook was published, as Boaventura de Sousa Santos (2014) would say, ‘on this side of the line’, that is, in the global North, whereas the content, the thinking, comes from ‘the other side of the line’, the global South.[3]

It is indeed an interesting question: why have publishing houses like Palgrave, Routledge, and Oxford University Press recently shown a growing interest in publishing Handbooks and Encyclopaedias of African philosophy and African thought?

A positive explanation for this would be that there is a growing consciousness that students and researchers of the intercultural dimension of philosophy require appropriate resources in order to make their discipline bear fruit. A rather negative view would be that there is a new awakening of interest in the exotic Other, accompanied by renewed efforts to subject the thinking of the Other to a neocolonial episteme. This latter seems to be Lamola’s fear.

At this point let me return to the question of a ‘genuine African philosophy’. What makes a philosophy genuinely African? That it is ‘crafted and articulated in an African language by persons whose lived-experience is embedded in Africa’? (44) At first glance, Lamola’s definition seems to be plausible. A ‘genuine European philosophy’ would be in this case something that is crafted and articulated in a European language by persons whose lived experience is embedded in Europe. Does this definition describe traditions of European philosophy?

While it is correct that European philosophy is articulated in European languages—more often now in English than in the philosopher’s mother tongue—however, historically and at present philosophers neither referred solely to their European lived experience nor reflected only on the significance of Europe to the rest of the world; they sought universally valid knowledge. In doing this, they often forget the contextuality of their thinking, but this is another problem which cannot be explored here.

That philosophers in Africa are extremely conscious about their own context and conditions of knowledge production, is certainly an advantage that can be fruitfully explored. But to reduce philosophy in Africa to lived experiences embedded in Africa alone, means to clip the wings of philosophy in Africa–and presumably this is not John Lamola’s aim.

Conclusions

Lamola’s suggested definition of ‘genuine African philosophy’ seems very restrictive to me. Concerning the language question: Even though a lingua franca in academe is not a new phenomenon, for example, Greek, Latin, and Arabic were linguae francae in previous centuries, I would repeat here that the language question is not a trivial one in philosophy. (Graness 2015, 136) And it is surely not a problem only for African philosophers.

Since English has become the predominant academic language of our day, philosophers with different language backgrounds are increasingly forced to formulate and publish their ideas in English if they want to pursue an academic career. What Tangwa calls ‘linguistic pragmatism’ (Tangwa, ‘Revisiting the Language Question’, 135), that is, submission to the English language, is already an undeniable fact in academe worldwide.

For example, a considerable percentage of early-career German and Austrian philosophers who are under the age of 30 no longer publish in German. Even though a postcolonial situation like Africa’s is completely different from the situation in former colonising countries like Germany, France, and Italy, submission to English will have similarly serious consequences for philosophy in them, too, consequences of which many European philosophers are not yet conscious.

They can learn a lot from African debates on the language question in philosophy. With Ngũgĩ wa Thiong’o I strongly support the idea that it is necessary to use one’s mother tongue for artistic or scientific knowledge production; however, we cannot ignore that it is of equal importance to work and publish in the scientific language of our time in order to be part of the international discourse and not remain imprisoned in our language enclaves. The basis of fruitful scientific work is exchange; what is really needed is the investment of appropriate financial and human resources for translation work.

So, is it an expression of Africa’s epistemic sovereignty to produce philosophical thought in African languages and to make the African experience and its issues the focus of that thought? Yes! But this is not all. Another expression of Africa’s epistemic sovereignty – which is of equal importance – is the discussion between intellectuals from Africa and elsewhere about issues of global interest, from their own diverse perspectives, in the language of their choice.

From its beginnings to the present, in all the different regions of the world, philosophy has been the result of intercultural interaction, and it will continue to be even more so in a world in which interdependence in everything—history, economy, politics, ecology, and all other aspects of life—will only increase, making regions no longer able to exist in isolation—or able to do so only artificially. We cannot ignore our world’s new level of interconnectedness.

Even though Lamola criticises ‘The representation of African philosophy as a centreless, open-ended, free-to-all enterprise, as in The Palgrave Handbook‘, (44) I think that philosophy should be exactly that: a centreless, open-ended, free-to-all enterprise, wherever people in this world philosophise.

Contact details: anke.graness@univie.ac.at

References

Afolayan, Adeshina, and Toyin Falola, eds. The Palgrave Handbook of African Philosophy. New York: Palgrave Macmillan, 2017.

Graness, Anke. ‘Is the debate on “global justice” a global one? Some considerations in view of modern philosophy in Africa’. Journal of Global Ethics 11, No. 1 (2015): 126–140. DOI: 10.1080/17449626.2015.1010014

Graness, Anke. ‘African Philosophy and History’. Social Epistemology Review and Reply Collective 7, No. 10 (2018): 45–54.

De Sousa Santos, Boaventura. Epistemologies of the South: Justice Against Epistemicide. London: Routledge 2016.

Lamola, John. “Will We Ever Have a Genuine African Philosophy.” Social Epistemology Review and Reply Collective 8, no. 1 (2019): 39-45.

Wiredu, Kwasi, ed. A Companion to African Philosophy. Malden, MA: Blackwell Publishing, 2004.

[2] As much as I personally like the film Black Panther, Lamola’s reference to a Hollywood blockbuster in the midst of his complaints about hegemonies and the control of knowledge consumption is not without irony. The African country ‘Wakanda’ was invented in part to serve strong commercial interests operating in a matrix of profound asymmetries of power. The film earned $1.35 billion worldwide, becoming the ninth highest-grossing film of all time, precisely because its story reverses these power asymmetries.

[3] Or at least partly, since some of the authors live and work in the global North.

Author Information: Adam Riggio, Royal Crown College, serrc.digital@gmail.com.

Riggio, Adam. “Immovable Presumptions as Philosophical Limit.” Social Epistemology Review and Reply Collective 8, no. 1 (2019): 19-25.

The pdf of the article gives specific page references. Shortlink: https://wp.me/p1Bfg0-45d

Image by Russell Davies via Flickr / Creative Commons

 

The essay collection Relations: Ontology and the Philosophy of Religion is fascinating and curious. As a contribution to ongoing issues in contemporary ontology, philosophy of religion, and the history of philosophy. There are many things to praise about its different essays and all of the authors. All of them are valuable additions to their discourses.

However, I’m reviewing the book from a peculiar position. My own philosophical work includes a great deal of thinking on the ontology of relations, so I began the book thinking that I’d have much in common with the authors. Yet I found myself at times alienated from the discussion.

Sometimes, it will be an issue of method. For example, some essays discussed the ontology of relations in linguistic terms. A central example here would be something like ‘John is far away from Justin,’ analyzed as if there were some simple property or object in common between John and Justin called ‘far away.’

I know this approach because it’s the same as that of the linguistic turn in analytic philosophy’s first generation. But my tradition of ontology focuses on material assemblages of forces and substances. Simple descriptions of relations like ‘far away’ or ‘larger than’ do not stand for actually simple relations, but complicated physical assemblages.

I experienced similar moments throughout the book, where contributors and I would seem to share a common subject, but without much common ground. It’s difficult to know whether the different discourse communities of our academic sub-disciplines are so separate because of institutional pressures, or because we all discuss truly different concerns. So the following reflections will engage with the book meta-philosophically, to discover ways that essays in one fairly restricted subject matter can produce insights and questions that matter to us all.

On What Ground Should We Trust Our Presumptions?

I may not be a specialist in the precise areas of all the experts that the book’s editors, Daniele Bertini and Damiano Migliorini, assembled to contribute to this volume. But I am still a philosopher, and so can identify mistakes, errors, or other problems someone makes in their inferences. Specifically for the following case, I can identify, among many of the essays collected in a volume, any common presumptions, and examine whether we should take for granted what a particular writer does.

The best example of this in the Relations volume is Mario Micheletti’s “Radical Alterity and the God-World Relationship.” One of the major points of his argument is to lay out what limits are present among different explanations for the existence of the universe. He argues that an atheist’s range of such explanations is more limited than those that a believer in God can hold. This is because an atheist cannot accept the contingency of the universe, since its contingency would make its nature depend on an external clause. Micheletti writes:

“The atheist can  . . . claim that while the universe has an explanation of its existence, the explanation lies not in an external ground, but in the necessity of its own nature. This is however, an extremely bold suggestion which, Craig notes, atheists have not been eager to embrace. For we have a strong intuition of the universe’s contingency, and we generally trust our modal intuitions.”

Yet there is no reason why we should trust our modal intuitions, our at-first-glance presumptions about the contingency and necessity of existence as a whole, as well as particular events and states of affairs. Micheletti presumes that the universe, without the external contingency of God’s will, would unfold with an immanent total necessity. But there is no reason why the immanent nature of the universe need be necessary; the only necessity immanent to the universe may be its own radical contingency.

After all, what makes sense to Micheletti to presume about the nature of the universe does not make sense to me. Since these are intuitions, there is no ground to establish whether he or I are correct. As intuitions, they provide the starting points for our arguments, but are rarely themselves interrogated. When they are interrogated, as in the philosophical surveys and focus groups of experimentalists like Jonathan Weinberg, intuitions are revealed as variable, ungrounded, unprovable, contingent.

So there is no genuine ground for us to trust our modal intuitions, our intuitions about what is contingent and necessary, or what the source of contingency and necessity would be. Yes, we may “generally trust our modal intuitions,” but there is no guarantee that they will turn out to be just as reliable as our intuition in everyday perception that the sun spins around Earth.

From this line of criticism, take the following question. Why do you believe in the truth of your intuitions, when an intuition is merely a presumption you have never thought to question?

Paths Divided Laid Down in the Travelling

Vera Tripodi’s “Beyond the Transcendence: The Feminist Critique of the Concept of God” is admirable in its ambition. She aims, ultimately, to synthesize a feminist conception of God from sources that would seem, at least to me, utterly ill-suited to the demands of our time.

She writes that her project draws upon “the classic ontology of being – that is, the tradition that conventionally begins with Thomas Aquinas – and the ontology of becoming that finds in Alfred North Whitehead its essential reference point.”

Blending the ontologies of Aquinas and Whitehead together is an admirable project of synthesis. Yet Tripodi writes as if Whitehead’s is the only ontology of becoming available to us in any great detail. Whitehead’s work on the ontology of becoming is historically remarkable. He used his background in mathematics and logic to develop a concept of process, central to any ontology of becoming.

He developed a detailed, technically sophisticated system for this process ontology that ultimately understood the development of organic powers of perception, human powers of knowledge, foundational principles of morality, and even the nature of God. Impressive, and an excellent reason for Tripodi’s choice of Whitehead’s work to blend with that of Aquinas for her creative synthesis.

What irks me as a reader is that Tripodi doesn’t treat Whitehead as the best possible choice because she gives a reasonable set of justifications; instead, she treats Whitehead as the best possible choice because he is the only possible choice. That is simply not true.

Henri Bergson had developed an ontology of becoming while Whitehead was still working on Principia Mathematica with Bertrand Russell, which had become far more popular among academics and the general public during his own lifetime. This achievement of fame for his work is far from anything Whitehead could have claimed.

A two-headed conflict with Albert Einstein over the interpretation of relativity theory and over the management of French-German reconciliation through League of Nations organizations did serious harm to Bergson’s reputation by the 1930s. But in the same period, Bertrand Russell’s confused rejection of Process and Reality did similar harm to the reputation of his former teacher Whitehead.

So while I am proud to count Tripodi among those bringing Whitehead’s ideas to the mainstream. Yet to treat him as the only source of approaches to ontologies of process or becoming ignores an equally fruitful revival of Bergson-inspired ideas. The work of Gilles Deleuze, Félix Guattari, and others who followed their influence such as Luce Irigaray and Antonio Negri has built a vibrant new tradition of ontological and political philosophy in France and Italy.

The ontology of becoming – whether influenced primarily by Whitehead or Bergson – is a bold and creative direction to move in philosophy. Yet I am left wondering why the Bergson-influenced tradition of ontology of becoming is absent from Tripodi’s essay and the entire Relations collection. It appears simply to be a matter of her not having seen any of it. How deeply does what we take for granted affect the ideas and traditions we expose ourselves to? Or question?

The Most Bizarre Ontology to Make Perfect Sense

Speaking of how presumptions guide our place in traditions, “Russell and the Question of Relations” by Federico Perelda looks explicitly at an ontology utterly counter-intuitive to my own presumptions about the nature of reality. So much was this the case, that as a student I took several courses on the subject matter and only realized its central presumption on the eve of graduating with my doctorate.

I’m talking about Bertrand Russell’s propositional realism: the ontology that logical and linguistic propositions and terms are the primary constituents of the world; facts of existence therefore only exist insofar as they instantiate those propositions and terms. My own presumption or obvious (to me) starting place for ontology is that the world is primarily the material arrangements and processes of actual bodies, forces, and fields, all interacting through contingent causality. Logic, mathematics, and language are the tools of thinking and communication that we use to build frameworks of thought to understand all this stuff.

Perelda frames his essay as bolstering Russell’s argument against Ludwig Wittgenstein’s foundational axiom, “The world is everything that is the case.” Russell and Perelda both stand firmly for an ontology of propositional realism, whereas I am just as adamant a fellow-traveller of Wittgenstein on this point.

Nonetheless, Perelda was brilliant, insightful, and informative about the sources of Russell’s ontological foundation of propositional realism: it was the one inheritance from his scorned professor Francis Herbert Bradley. Perelda traces Russell’s intellectual evolution as an acolyte of Bradley, who rejected his professor’s metaphysics of absolute idealism. Orthodox accounts of this split, which are typically taught in North American university courses on early analytic philosophy, take the split to have been over idealist ontology itself.

Perelda’s insightful historical and philosophical analysis argues that the real reason for Russell’s split from Bradley was over the ontology of relation, a much more complex and subtle question than the brute simplicity of the choice over idealism and materialism.

Bradley considered all relations internal, and so illusions of our limited perceptual powers. Russell considered relations as fundamentally external, and so real. But Bradley held that, because relations are fundamentally internal, considering them to be real is a terrible mistake, trusting your senses where they are unreliable. The split that created analytic philosophy was not metaphysical or ontological, but epistemic: whether we should trust our senses to reveal the true nature of relations as they exist in the world and in logic.

Russell never disagreed with Bradley over propositional idealism, and in fact always shared that ontological principle. Throughout his life, Russell was a propositional idealist who believed that material reality was ontologically anterior to logic, simply the medium through which propositions instantiated themselves. The order of logical propositions is, for Russell and for Perelda himself, the fundamental constituent of existence because it is necessary.

Remaining unspoken is any argument for why a necessary structure, like that of the propositions and terms of mathematical logic, must be the fundamental ordering principle of the universe. Causality’s contingent character need not disqualify it from a foundational role in an ontological system, unless you explicitly argue for why contingency is necessarily a dealbreaker. That is how philosophical system building works.

So we are left in an impasse of uncertain direction for philosophical work. How does it become so difficult to think of the world as contingent?

Does Existence Need Limits?

Relations is also a contribution to philosophy of religion, its focus being the ontology of the divine, or the nature of God’s existence. Jaco Gericke’s essay probes this question directly, its aim being to identify and begin developing a more precise metaphysical conception of God. Coming from a Western tradition of religious metaphysical thinking, Gericke follows the language of the Old Testament.

His goal is to understand the meaning of God as a term of the Old Testament’s language, knowing the complete set of propositions that describe God.[1] However, there is a problem with Gericke’s philosophical method: it is equally theological as it is metaphysical and ontological, because it restricts its logical analysis to the Christian tradition. Such a conception of God, logically rigorous though it may be, remains limited, a hypocritical universal.

First, I should explain the nature of this hypocrisy. Gericke hopes to develop a concept of God that grounds the universality we presume of God in the universal scope of logic. But that logical interpretation rests on the analysis of the Old Testament, a single (if massive and hugely influential) text. It is a Christian text, and therefore partisan. But it is the Christian uptake of what was originally a Jewish text, the Torah. So it also overwrites the tradition, including the theology and philosophy, that produced it.

The Old Testament is the uptake of Torah into the Christian tradition, Torah interpreted always and inevitably in relation to the Gospel. It erases the Jewish theological ontology of divinity, overwriting the Christian. There are profound differences between these two theologies, which complicate terribly any straightforward application of logical and linguistic analysis to the words themselves of any holy book.[2]

One important ontological critique of Gericke’s method comes from the Jewish tradition that is obscured by the presumption that Torah is the Old Testament. Gericke seeks to understand the extension of the term God, but the conception of Torah’s text according to Martin Buber and Franz Rosenzweig makes such a general extension disappear.

In Buber and Rosenzweig’s approach to Torah, there is no single logical term instantiated in each mention of God. Each mention of God is itself a unique, context-appropriate logical term, incommensurable with every other such mention. Each manifestation of God is a unique divinity, and that from which it emanates has no nature adequate to logic.

Torah understands God as a divinity understandable only as a concretely situated manifestation. The Old Testament understands God in the context of the Incarnation, where God demonstrated oneness with humanity by becoming Jesus and the Christ. Christianity therefore rests on a metaphysics of thorough ontological monism, in which God is a thing just as a mountain, person, fungus, river, star, boat, or blade of grass is. Since God is a thing, it is the extension of a term, and this term is no different than any other term.

The work of Duns Scotus best explores this ontological monism that is a fundamental metaphysical presumption of theologians and philosophers in Christian traditions who explore the nature of God. But the project of exploring the nature of God seems terribly limited when constrained by the presumptions of a single tradition. Why do such presumptions become unquestionable?

When the Refusal to Choose Is Itself a Dogma

Jeffrey Long brings a possible antidote to this prison of presumptions. His essay is “Anekantevada: The Jain Ontology of Complexity and Relationality, and Its Implications for the Philosophy of Religions.” He analyzes an approach to the metaphysics and ontology of divinity in the Jain religion that promises to avoid problems of absolutism like those I discussed above.

Jainism, in short, holds that the divine is essentially multifaceted. Its pluralism could likely be a partial reflection of Jainism’s place as a minority religion throughout its existence; at no point in the history of Jainism has it ever been the dominant religion in a territory. Conveniently, its ontology of divinity depicts all religions as valid accounts of divinity.

Jain thinking is a perspectivism about the nature of divinity. Hindu and Buddhist communities, taking relevant examples for Jainism’s historical place in India, each have their own perspectives on the overall nature of the divine. So the concept of God in each religion (or in each concept of God within many theological traditions) understands a few aspects of the divine.

The parable about the blind men and the elephant might be useful here. That parable also shows the theological hypocrisy Long identifies in Jain ontology. From the Jain perspective, theirs is the only religious tradition that accurately and completely understands God, because other religions mistake their perspectival limitations for absolute truths. Jainism itself thereby becomes an absolutism, the unquestionable presumption that its pluralism is the only true conception of divinity because it includes all the variety that God can be.

Even this attempt to find an escape from absolutism closes itself off, because the temptation to consider your own perspective to be the most correct, or the only fully correct, never disappears. All our judgments would seem to rest on presumptions which are simultaneously unassailable and fragile.

Fragile because they are unassailable. Every argument and conceptual exploration must rest on presumptions that are themselves taken for granted. But to question those presumptions exposes their inevitable limitations. Knowledge requires firm foundations, but examining those foundations exposes that they need foundations of their own.

Knowledge therefore rests on dogma inevitably, a refusal to question. For any system of thinking to stand, questioning must cease somewhere, but the decision to cease is never a conclusion, always a decision. Do our unquestioned and unquestionable presumptions leave us no antidote for absolutism, and its inevitable dangers of dogmatism and fanaticism?

Contact details: serrc.digital@gmail.com

References

Gericke, Jaco. “The Folk-Metaphysics of Relations in Old Testament Extensions of Generic Divinity.” In Relations: Ontology and Philosophy of Religion. Pp. 267-282. Edited by Daniele Bertini and Damiano Migliorini. Verona: Mimesis International, 2018.

Long, Jeffrey. “Anekantavada: The Jain Ontology of Complexity and Relationality and Its Implications for the Philosophy of Religions.” In Relations: Ontology and Philosophy of Religion. Pp. 235-50. Edited by Daniele Bertini and Damiano Migliorini. Verona: Mimesis International, 2018.

Micheletti, Mario. “Radical Divine Alterity and the God-World Relationship.” In Relations: Ontology and Philosophy of Religion. Pp. 157-170. Edited by Daniele Bertini and Damiano Migliorini. Verona: Mimesis International, 2018.

Perelda, Federico. “Russell and the Question of Relations.” In Relations: Ontology and Philosophy of Religion. Pp. 41-58. Edited by Daniele Bertini and Damiano Migliorini. Verona: Mimesis International, 2018.

Riggio, Adam. “Lessons for the Relationship of Philosophy and Science from the Legacy of Henri Bergson.” Social Epistemology (2015): 1-14. DOI: 10.1080/02691728.2014.971916.

Rosenzweig, Franz. The Star of Redemption. Translated by William W. Hallo. Notre Dame, IN: University of Notre Dame Press, 1985.

Tripodi, Vera. “Beyond the Transcendence: The Feminist Critique of the Concept of God.” In Relations: Ontology and Philosophy of Religion. Pp. 171-180. Edited by Daniele Bertini and Damiano Migliorini. Verona: Mimesis International, 2018.

[1] Using logic to know the names of God? – Editor’s Note

[2] Leave aside as well the problems of the plurality of holy books themselves, many of which overlap with ritual (as in the Nishnaabeg moral theology of their oral and practical tradition), or materialist ontology (as in the ontological arguments of the Daoist tradition). How to reconcile in a single concept of divinity those of Rome, Chi’Nbiish (Lake Ontario), and Beijing through logical analysis of text alone? – Writer’s Note

Author Information: Arianna Falbo, Brown University, Arianna_Falbo@brown.edu.

Falbo, Arianna. “Spitting Out the Kool-Aid: A Review of Kate Manne’s Down Girl: The Logic of Misogyny.” Social Epistemology Review and Reply Collective 7, no. 8 (2018): 12-17.

The pdf of the article gives specific page references. Shortlink: https://wp.me/p1Bfg0-40A

The years of far-right rhetoric about Hillary Clinton have formed a real-time theatre of misogyny, climaxing at the 2016 Presidential election.
Image by DonkeyHotey via Flickr / Creative Commons

 

Kate Manne’s Down Girl breathes new life into an underexplored yet urgently important topic. Using a diverse mixture of current events, empirical findings, and literary illustrations, Manne guides her reader through the underbelly of misogyny: its nature, how it relates to and differs from sexism, and why, in supposedly post-patriarchal societies, it’s “still a thing.”[1]

Chapter 1 challenges the standard dictionary-definition or “naïve conception” of misogyny, as Manne calls it. This view understands misogyny primarily as a psychological phenomenon, operative in the minds of men. Accordingly, misogynists are disposed to hate all or most women because they are women.

The naïve conception fails because it renders misogyny virtually non-existent and, as a result, politically inert. Misogynists need not feel hatred towards all or even most women. A misogynist may love his mother or other women with whom he shares close personal relationships. Manne insists that this should not detract from his being an outright misogynist. For example, the naïve view fails to make sense of how Donald Trump could both love his daughter while simultaneously being misogyny’s poster boy. A different analysis is needed.

Following Haslanger (2012), Manne outlines her “ameliorative” project in chapter 2. She aims to offer an analysis of misogyny that is politically and theoretically useful; an analysis that will help to reveal the stealthy ways misogyny operates upon its perpetrators, targets, and victims. Manne argues that misogyny should be understood in terms of its social function: what it does to women and girls.

On her view misogyny functions to uphold patriarchal order, it punishes women who transgress and rewards those who abide.[2] Misogyny is thus selective: it does not target all women wholesale, but prioritizes for those who protest against patriarchal prescriptions. In Manne’s words: “misogyny primarily targets women because they are women in a man’s world…rather than because they are women in a man’s mind.[3]

Chapter 3 outlines, what I take to be, one of the most original and illuminating insights of the book, a conceptual contrast between sexism and misogyny. Manne dubs sexism the “justificatory” branch of patriarchal order: it has the job of legitimizing patriarchal norms and gender roles. Misogyny, on the other hand, is the “law enforcement” branch: it patrols and upholds patriarchal order. Both misogyny and sexism are unified by a common goal “to maintain or restore a patriarchal social order.”[4]

In Chapter 4, Manne discusses the gender coded give/take economy that she takes to be at the heart of misogyny’s operation.[5] Patriarchal order dictates that women have an obligation to be givers of certain feminine-coded goods and services such as affection, sex, and reproductive labour.

Correspondingly, men are the entitled recipients of these goods and services in addition to being the takers of certain masculine-coded privileges, including public influence, honour, power, money, and leadership. When men fail to receive these feminine-coded goods, which patriarchal order deems they are entitled to, backlash may ensue. What’s more, women who seek masculine-coded privileges, for example, leadership positions or other forms of power and prestige, are in effect violating a patriarchal prohibition. Such goods are not theirs for the taking—women are not entitled takers, but obligated givers.

In chapter 5, Manne considers a popular “humanist” kind of view according to which misogyny involves thinking of women as sub-human, non-persons, lifeless objects, or mere things. She turns this view on its head. She argues that: “her personhood is held to be owed to others in the form of service labour, love, and loyalty.”[6] As per the previous chapter, women are socially positioned as human givers. Manne’s contends that misogyny is not about dehumanization, but about men feeling entitled to the human service of women. She pushes this even further by noting that in some cases, when feminine-coded human goods and services are denied, it is men who may face feelings of dehumanization.[7]

Chapter 6, in my opinion, is where a lot of the action happens. In this chapter Manne presents the much-needed concept of himpathy: the undue sympathy that is misdirected away from victims and towards perpetrators of misogynistic violence.[8] She explains how certain exonerating narratives, such as the “the golden boy”, function to benefit highly privileged (normally: white, non-disabled, cis, heterosexual, etc.) men who commit violent acts against women.[9]

In this chapter Manne also draws upon and adds to the growing literature on testimonial injustice. Testimonial injustice occurs when a speaker receives either a deficit or surplus of creditability owing to a prejudice on the part of the hearer.[10] Manne discusses how in cases of he said/she said testimony involving accusations of sexual assault, privileged men may be afforded excess creditability, thereby undermining the creditability of victims – there is only so much creditability to go around.[11]

This, she notes, may lead to the complete erasure, or “herasure” as Manne calls it, of the victim’s story altogether.[12] Creditability surpluses and deficits, she says: “often serve the function of buttressing dominant group members’ current social position, and protecting them from downfall in the existing social hierarchy.”[13] Exonerating narratives puff up privileged men and, as a result, deflate the creditability of women who speak out against them. These unjust distributions of creditability safeguarding dominate men against downward social mobility. In a slogan: “testimonial injustice as hierarchy preservation.”[14]

In Chapter 7, Manne discusses why victims of misogynistic violence who seek moral support and attention are regularly met with suspicion, threats, and outright disbelief. Patriarchy dictates that women are human givers of moral support and attention, not recipients (as per the arguments of chapter 4). Drawing moral attention towards women who are victimized by misogyny attempts to disrupt patriarchy’s divisions of moral labour. Manne says that this is “tantamount to the server asking for service, the giver expecting to receive…it is withholding a resource and simultaneously demanding it.”[15]

In chapter 8, Manne explores how misogyny contributed to Hillary Clinton’s loss of the 2016 US presidential election. She claims that misogyny routinely targets women who infringe upon man’s historical turf; women who try to take what patriarchal order decrees as the jobs and privileges reserved for men. Overstepping or trespassing upon his territory often results in misogynistic retaliation. Such women are seen as “greedy, grasping, and domineering; shrill and abrasive; corrupt and untrustworthy”[16] or, in the words of the current President of the United States, “nasty.”[17]

Down Girl ends by discussing the prospects of overcoming misogyny. At one point Manne says, as if to shrug her shoulders and throw up her arms in despair: “I give up.”[18] Later, in a subsequent interview, Manne claims she did not intend for this to be a discouraging statement, but a “liberating declaration.”[19] It is an expression of her entitlement to bow out of this discussion (for now), after having said her piece and making conversational space for others to continue.

In my opinion, Down Girl is essential reading for any serious feminist, moral, or political scholar. The proposed analysis of misogyny is lucid and accessible while at the same time remaining acutely critical and rigorous. The text does not get bogged down in philosophical jargon or tedious digressions. As such, this book would be fairly congenial to even the philosophically uninitiated reader. I highly recommend it to both academics and non-academic alike. Moreover, Manne’s addition of “himpathy” and “herasure” to the philosophical lexicon helps to push the dialectic forward in innovative and insightful ways.

Despite being on such a sombre and depressing topic, I found this book to be engrossing and, for the most part, enjoyable to read. Manne has an inviting writing style and the book is scattered with a number of brilliant quips, clever examples, and gripping case studies.  Though, be warned, there are certainly sections that might reasonably be difficult, uncomfortable, and potentially triggering. Down Girl examines some of the most fraught and downright chilling aspects of our current social and political atmosphere; including real life depictions of horrific violence against women, as well as the attendant sympathy (himpathy) that is often given to those who perpetrate it. This is to be expected in a book on the logic of misogyny, but it is nonetheless important for readers to be extra cognisant.

After finishing the book, I have one main concern regarding the explanatory reach of the analysis. Recall that on Manne’s account: “misogyny’s primary function and constitutive manifestation is the punishment of “bad” women, and policing of women’s behavior.”[20] Misogyny’s operation consist in a number of “down girl moves” designed to keep women in line when they fail to “know their place” in a man’s world.[21] She emphasizes the retaliatory nature of misogyny; how it functions analogously to a shock collar: fail to do as patriarchy demands as and risk being shocked.[22]

I worry, though, that this emphasis on punishing patriarchy’s rebels fails to draw adequate attention to how misogyny can target women for what appears to be nothing more than the simple reason that he is dominant over her. It is not only rebels who are misogyny’s targets and victims, but also patriarchy’s cheerleaders and “good” girls. (Though, those who protest are presumably more vulnerable and have greater targets on their backs.)

Perhaps the analogy is better thought of not in terms of him shocking her when she fails to obey patriarchal order, but him administering shocks whenever he sees fit, be it for a perceived failure of obedience or simply because he is the one with the controller. Or, to use another analogy that picks up on Manne’s “policing” and “law enforcement” language, maybe misogyny is characterized best as a crooked cop, one who will pull you over for a traffic violation, but also one who will stop you simply because he feels he can, for he is the one with the badge and gun.

A woman might play her role in a man’s world to a tee; she may be happily complacent, she may give him all of her feminine-coded goods, in the right manner, in the right amount, at the right time, and so on. She may never threaten to overstep historical gender roles, nor does she attempt to cultivate masculine-coded privileges. She may even add fuel to patriarchy’s fire by policing other women who disobey. Even still, despite being on her very best behaviour, she too can be victimized by misogynistic violence. Why? It remains unclear to me how Manne’s analysis could offer a satisfying answer. While I deeply admire the proposal, I am curious of how it captures non-corrective cases of misogyny that don’t aim to punish for (apparent) violations of patriarchal order.

Manne notes that a major motivation for her writing is “to challenge some of the false moral conclusions we swallow with the Kool-Aid of patriarchal ideology.”[23] I came away from this book having learned a great deal about the insidious ways misogyny operates to put women and girls down; many a Kool-Aid has been spit out. Down Girl also plants fertile seeds for future research on misogyny, a topic desperately in need of more careful attention and intelligent investigation.

In the preface Manne says that: “ultimately, it will take a village of theorists to gain a full understanding of the phenomena.”[24] This book makes headway in offering theorists a myriad of conceptual tools and resources needed to facilitate and push the discussion forward. I anticipate that Down Girl will be a notable benchmark for many fruitful discussions to come.

Contact details: Arianna_Falbo@brown.edu

References

Berenson, Tessa. “Presidential Debate: Trump Calls Clinton ‘Nasty Woman’.” Time, 20 Oct. 2016, time.com/4537960/donald-trump-hillary-clinton-nasty-woman-debate/.

Bullock, Penn. “Transcript: Donald Trump’s Taped Comments About Women.” The New York Times, 8 Oct. 2016, nytimes.com/2016/10/08/us/donald-trump-tape-transcript.html.

Cleary, Skye C. “It Takes Many Kinds to Dismantle a Patriarchal Village.” Los Angeles Review of Books, 2 Mar. 2018, lareviewofbooks.org/article/takes-many-kinds-dismantle-patriarchal-village/.

Davis, Emmalon. “Typecasts, Tokens, and Spokespersons: A Case for Credibility Excess as Testimonial Injustice” Hypatia, 2016.

Fricker, Miranda. Epistemic Injustice Power and the Ethics of Knowing. New York: Oxford University Press, 2007.

Haslanger, Sally. Resisting Reality. New York: Oxford University Press, 2012.

Manne, Kate. Down Girl: The Logic of Misogyny. New York: Oxford University Press, 2017.

Medina, José. The Epistemology of Resistance. New York: Oxford University Press, 2012.

Medina, José. “The Relevance of Credibility Excess in a Proportional View of Epistemic Injustice: Differential Epistemic Authority and the Social Imaginary” Social Epistemology, 2011.

Penaula, Regan. “Kate Manne: The Shock Collar That Is Misogyny” Guernica, 7 Feb. 2018, https://www.guernicamag.com/kate-manne-why-misogyny-isnt-really-about-hating-women/.

Yap, Audre. “Creditability Excess and the Social Imaginary in Cases of Sexual Assault.” Feminist Philosophy Quarterly, 2017.

[1] Manne (2017): xxi.

[2] Manne (2017): 72.

[3] Ibid: 69.

[4] Ibid: 80.

[5] At least as it is manifests in the cultures of the United States, the United Kingdom, and Australia, these are the focus of Manne’s analysis. Cf. ibid: fn. 3.

[6] Ibid: 173.

[7] Ibid: 173.

[8] Ibid: 197.

[9] Ibid: 197.

[10] Cf. Fricker (2007), though, Fricker focuses primarily upon creditability deficits. See, Davis (2016), Medina (2011, 2012), and Yap (2017), among others, for discussions of how creditability surpluses can also constitute testimonial injustice.

[11] See Manne’s discussion of Medina (2011) who stresses this point, 190.

[12] Ibid: 209-14.

[13] Manne (2017): 194.

[14] Ibid: 185.

[15] Ibid: 304.

[16] Ibid: 303.

[17] Berenson (2016).

[18] Manne (2017): 300.

[19] Cleary (2018).

[20] Manne (2017): 192.

[21] Ibid: 68.

[22] Cf. Penaluna (2018).

[23] This is from an interview with Los Angeles Review of Books; see Cleary (2018).

[24] Manne (2017): xiii.

Author Information: Kristie Dotson, Michigan State University, dotsonk@msu.edu

Dotson, Kristie. “Abolishing Jane Crow.” Social Epistemology Review and Reply Collective 7, no. 7 (2018): 1-8.

The pdf of the article gives specific page references. Shortlink: https://wp.me/p1Bfg0-3YJ

See also:

Image by Adley Haywood via Flickr / Creative Commons

 

It took me 8 years to publish “Theorizing Jane Crow.” I wrote it at the same time as I wrote my 2011 paper, “Tracking Epistemic Violence, Tracking Practices of Silencing.” The many reviews that advocated for rejecting “Theorizing Jane Crow” over the years made me refine it…and alter it….and refine it some more. This is not necessarily a gripe. But it will seem that way. Because there are two consistent critiques of this paper that have stuck with me for how utterly problematic they were and are. In this reply to Ayesha Hardison’s commentary, “Theorizing Jane Crow, Theorizing Literary Fragments,” I display and analyze those critiques because they link up in interesting ways to Ayesha Hardison’s commentary.

The two most common critiques of this paper include:  1) the judgement that my paper is not good intellectual history or not good literary criticism and 2) the conclusion that Black women’s literary production is so advanced that there is no way to make a claim of unknowability with respect to US Black women today (or yesterday).  In what follows, I will articulate and explore these critiques. The first critique brings attention to just how wonderful Hardison’s commentary actually is for how it sets up the rules of engagement between us. The second critique can be used to tease out convergences and a potential divergence between Hardison’s position and my own.

The First Critique: Does E’rybody Have to be Historians or Literary Studies Scholars?

Since I neither claim to be a literary scholar nor a historian, I found no reason to deny the first (and by far most consistent) critique of this paper. This paper is not good intellectual history. And, plainly speaking, it is terrible literary criticism. Let me say this, for the record, I am neither an intellectual historian, nor a literary critic. And, with all due respect to those people who do these things well, I have no desire to be.

Hardison detected that she and I are coming to the same sets of problems with different trainings, different habits of attention, and, quite frankly, different projects. Because, no, I am not a literary critic. Hardison acknowledges our different orientations when she writes:

Whereas Dotson theorizes Jane Crow by outlining social features facilitating black women’s ‘unknowability,’ in literary studies, we might say black women’s ‘unknowability’ is actually a matter of audience, and more importantly, a problem of reception. (2018, 57)

Another place where differences in our respective approaches is foreshadowed is in the very first line of Hardison’s reply when she writes, “To acknowledge Jane Crow…is not the same as understanding how black women’s subjugation works – or why it persists,” (2018, 56). From the very first line, I was put at ease with Hardison’s commentary. Because however much we might disagree or agree, at least, she recognized my actual project. I treat Murray like a philosopher. In accordance with philosopher stone rules, e.g. like an element from which composite understandings can be derived. It was clear to me that even among Black feminist academics, potential audiences for this paper were simply unused to the kinds of flights of fancy that taking Black women as philosophers requires.[1]

Hardison didn’t have this problem at all. In other words, Hardison was, for me, a “brown girl’s heart” to receive what I was trying to articulate. For that I am so very grateful to her. I believe that Hardison understood what I was trying to do. I was treating Pauli Murray the way I would be allowed to treat any theoretical white dude. Like her work should be able to inspire more work with family resemblances. I treated Murray like there could and should be Murray-ians. And it was this move that I utterly refused to compromise on. It was also the move that inspired, in my estimation, the most resistance from anonymous reviewers. But Hardison got it. But, then, of course, she would get it. She does the same thing in her book, Writing Through Jane Crow (Hardison 2014). We treat Murray like a philosopher.

The performance of Hardison’s commentary accords very much with the existence of (and necessity of) “an empathetic black female audience” (Hardison 2018, 59). And what is uncovered between us is a great deal of agreement between her positions and my own and a potential disagreement. At this point, Hardison and I can talk to each other. But I want to draw attention to the fact it is Hardison’s commentary that sets the stage for this exchange in a way where our convergences and divergences can be fruitfully explored. And that is no easy feat. Hats off to Hardison. I am deeply grateful for her work here.

The Second Critique: Black Women’s Literary Production vs. Jane Crow Dynamics

The second most common critique of “Theorizing Jane Crow” concerned skepticism about whether US Black women could be understood as unknowable in the face of US Black women’s literary production. It was only in reading Hardison’s commentary that I realized, I may have misunderstood part of the critiques being leveled at me from (again) anonymous reviewers that were most likely Black feminist academics themselves. One might have misread my essay to say that Black women never afford each other the kind of empathetic audiences that are needed to render them, broadly speaking, knowable in hegemonic and counterhegemonic spaces. That the Black community at large never extends such empathy.

Or, in Hardison’s words, some may have taken me as advocating for “the conceit that black women’s narratives about their multivalent oppression registers similarly in hegemonic and counterhegemonic spaces” (2018, 56). Now, I am not sure if Hardison is accusing me of this. There is reason to believe that she isn’t but is rather choosing this point as a way of empathetically extending my remarks. For example, Hardison writes:

An analysis of African American women writers’ engagement with Jane Crow is outside the scope of Dotson’s epistemological story in “Theorizing Jane Crow, Theorizing Unknowability,” but their texts illuminate the philosophical conundrum she identifies. (2018, 57)

This suggests, to me, that Hardison detects the problem of Jane Crow unknowability in Black women writer’s work, even as they work to navigate and counter such unknowability with some degree of success.

Now, to be clear, unknowability, on the terms I outline, can be relative. One might argue that the difficulty of receiving a fair peer-review for this paper in a particular domain rife with either Black feminists with literary, historical, and/or sociological training means that hegemonic and counterhegemonic communities alike pose epistemological problems, even if they are not exactly the conditions of Jane Crow (and they aren’t). But those epistemological problems may have the same structure of the epistemological engine I afford to Jane Crow dynamics, e.g. disregard, disbelief, and disavowal. This is primarily because, epistemologies in colonial landscapes are very difficult to render liberatory (see, for example, Dotson 2015).[2]

Limits of Unknowability, Limits of a Single Paper

Still, for me, the most egregious misreading of “Theorizing Jane Crow” is to interpret me as saying that Black women are equally as unknowable to other Black women as they are in “hegemonic spaces” (56) and according “hierarchical epistemologies” (58). Yeah, that’s absurd. Hardison’s commentary extends my article in exactly the ways it needs to be extended to cordon off this kind of ludicrous uptake, i.e. that Black womenkind are equally unknowable to ourselves as we might be in the face of hegemonic epistemological orientations.[3]

But, as Hardison notes, an extensive development of the point that Black womenkind offer empathetic audiences to Black womenkind that render them knowable, at least “to themselves and each other” (Hardison 2018, 57), both for the sake of their own lives and for the sake of the lives of other Black womenkind, is outside the scope of my paper. Rather, I am concerned with, as Hardison rightly notes, “understanding how black women’s [Jane Crow] subjugation works – or why it persists” (2018, 56). And though I don’t think my essay indicates that Black womenkind are equally “unknowable” to each other in all instances, if that is a possible reading of my essay, thank goodness for Ayesha Hardison’s generous extension of this project to make clear that the performance of this text belies that reading.

Perhaps Hardison says it best, my “grappling with and suture of Murray’s philosophical fragments challenges the hierarchical epistemologies that have characterized black women as unknowable and unknowing,” (2018, 58). This is why I love Black feminist literary studies folks. Because, yes! The performance of this piece belies the message that there is no way for us to be known, especially by ourselves. And, what’s more, such an inexhaustible unknowing has to be false for the successful performance of this text. But then I am aware of that. So what else might I be attempting to articulate in this paper?

It strikes me that a charitable reading of the second main criticism leveled at this paper might proceed as follows:

From where does the charge of unknowability come in the face of the existence and quantity of US Black women’s literary and cultural production? This is an especially important question when you need Black women’s production to write about their ‘unknowability,” how can you claim that Black women are unknowable when the condition for the possibility of this account is that you take yourself to know something about them from their own production? This seems to be a contradiction.

Yes. It does seem like a contradiction or, if folks need a white male theorist to say something to make it real, it is a kind of differend- (Lyotard 1988).[4] Radically disappeared peoples, circumstances, and populations are often subject to problems with respect to frames, evidence and modes of articulation. Being disappeared is different than being invisible simpliciter, but then I make this claim in “Theorizing Jane Crow.”

Problems of large scale disappearing that affect entire populations, events, and historical formations render unknowable unknowability. This problematic seems to be what this second critique falls prey too, i.e. the disappearing of unknowability behind sense making devices (Dotson 2017). As the critique goes, if Black women are unknowable at the scale I seem to propose, then how do I know about this unknowability?[5] How, indeed.

I still reject this rendition of the second criticism, i.e. the one that says with all the literary production of Black womenkind we are no longer unknowable or else I wouldn’t know about a condition of unknowability. Jane Crow unknowability, in my estimation, is not subject to brute impossibilities, i.e. either we are knowable or unknowable. This is because Jane Crow is domain specific in the same ways Jim Crow was (and is). Also, Jane Crow is made of epistemological and material compromises. Hardison gets this. She is very clear that “Black women continue to be ‘unknowable’ in dominant culture due to its investment in white supremacy and patriarchy,” (Hardison 2018, 57).

But, let’s get something clear, an “investment” is not only a set of attitudes. It is composed of sets of institutional norms (and institutions through which to enact those norms). Sets of norms of attention. Sets of historically derived “common sense” and “obvious truths” that routinely subject Black womenkind to Jane Crow dynamics. It is composed of social and material relations that make sense because of the investments that invest them with sense.

Jane Crow as a Dynamic of Complex Social Epistemology

Jane Crow dynamics, when they appear, are built into the functioning of institutions and communal, social relations. They are embedded in the “common sense” of many US publics- including counterhegemonic ones- because I am presuming we are assuming that some Black communities indulge in patriarchy, which is what lead Murray to her observations (See, Hardison 2018). And though Black women can disrupt this in pockets it does not change the epistemological and material conditions that are reinforcing and recreating Jane Crow dynamics for every generation. And it doesn’t change the reality that there is a limit to our capacity to change this from within Jane Crow dynamics. So, we write ourselves into existence again and again and again.

Hardison acknowledges this, as she astutely notes, “Although I engage Pauli Murray as a writer here to offer a complementary approach to Dotson’s theorizing of Jane Crow, I do not claim that black women’s writings irons out Jane Crow’s material paradoxes,” (2018, 62). And this is the heart of my disagreement with the second major critique of this essay. Are those critics claiming that epistemological possibilities brought by Black women’s literary production iron out material paradoxes that, in part, cause Jane Crow dynamics? Because, that would be absurd.

But here is where I appear to disagree with Hardison. Is Hardison claiming that epistemological possibilities have ironed out Jane Crow’s epistemological paradoxes? Because I sincerely doubt that. Schedules of disbelief, disregard, and disavowal are happening constantly and we don’t have great mechanisms for tracking who they harm, whether they harm, and why (on this point, see Dotson and Gilbert 2014).

This leads to a potential substantive disagreement between Hardison and I. And it can be found in the passage I cited earlier. She writes:

Whereas Dotson theorizes Jane Crow by outlining social features facilitating black women’s ‘unknowability,’ in literary studies, we might say black women’s ‘unknowability’ is actually a matter of audience, and more importantly, a problem of reception. (2018, 57)

There is a potential misreading of my text here that seems to center on different understandings of “epistemological” that may come from our different disciplinary foci. Specifically, I don’t necessarily focus on social features. I focus on epistemic features facilitating black women’s unknowability, when we encounter it. That is to say, disregard, disbelief, and disavowal are epistemic relations. They are also social ways of relating, but, importantly, in my analysis they are socio-epistemic. What that means is that they are social features that figure prominently in epistemological orientations and conduct. And these features are embedded in what makes audiences and uptake relevant for this discussion. That is to say, the reasons why audiences matter, and problems of reception are central, is because varying audiences indulge in disregard, disbelief, and disavowal differently.

So, the juxtaposition that might be assumed in Hardison’s statement of the focus in literary studies, which is indicated by the phrase “actually a matter of,” is not a difference in kind, but rather a difference in emphasis. I am tracking the kinds of things that makes audience and problems of reception important for rendering anything knowable in social worlds, e.g. disregard, disbelief, and disavowal. Because it is there, as a philosophy-trained academic, that I can mount an explanation of “how black women’s [Jane Crow] subjugation works -or why it persists” (Hardison 2018, 56).

The Great Obstacles of Abolishing Jane Crow

In the end, this may not be a disagreement at all. I tend to think of it as a change in focus. My story is one story that can be told. Hardison’s story is another. They need not be taken as incompatible. In fact, I would claim they are not incompatible but, as Hardison notes, complementary (2018, 62). They uncover different aspects of a complicated dynamic. One can focus on the problems of audience and reception. And I think that this is fruitful and important. But, and this is where Hardison and I might part company, focusing on these issues can lead one to believe that Jane Crow dynamics are easier to abolish than they are.

One might suspect, as some of the anonymous reviewers of this essay have, that all the literary production of US Black womenkind means that US Black womenkind don’t actually face Jane Crow dynamics. Because, and this seems to be the take-home point of the second critique, and as Hardison explains, “Structural realities (and inequities) demand black women’s invisibility, but black women’s philosophical and literary efforts make them visible – first and foremost – to themselves” (2018, 57). And this is the crux of our potential disagreement.

What do we mean by “make them visible” and, more importantly, where? In the domains where they are experiencing Jane Crow dynamics, i.e. epistemological and material compromises, or in the domains where they, arguably, are not? Because the empathetic audiences of “brown girls” outside of institutions that operate to our detriment are not major catalysts for the problem of Jane Crow unknowability, on my account. This is where domain specificity becomes important and one must reject the conclusion (as I do in “Theorizing Jane Crow”) that Jane Crow unknowability is invisibility simpliciter.

As Hardison explains, Pauli Murray’s experiences with racial and gender subordination motivated her towards identifying and signifying Jane Crow oppression (along with constructing epistemological orientations with which to do so) (2018, 61). What the anonymous reviewers and Hardison insist on is that “These fragments of knowing identify black women’s autobiography as a vehicle for positive self-concept and social epistemology.”

Moreover, Hardison claims, and rightly so, that though “Black women writers do not ‘resolve our dilemmas,’…they do ‘name them.’ In a destructive culture of invisibility, for black women to call out Jane Crow and counter with their self-representation has substantive weight” (2018, 62). I agree with all of these conclusions about the importance of Black women countering Jane Crow dynamics, even as I wonder what it means to say it has “substantive weight.”

I question this not because I disagree that such countering has substantive weight. It does. But part of what has to be interrogated in the 21st century, as we continue to grow weary of living with centuries old problematics, what does the abolition of Jane Crow look like? Are there other forms of “substantive weight” to pursue in tandem to our historical efforts?

In asking this I am not attempting to belittle the efforts that have gotten us to this point- with resources and tools to “call out and counter” Jane Crow dynamics. My work in this paper is impossible without the efforts of previous and current generations of Black womenkind to “name” this problem. Their work has been (and is) important. And for many of us it is lifesaving.  But- and yes, this is a ‘but,’ what next? I want a world other than this. And even if that world is impossible, which I half believe, I still want to work towards a world other than this today as part of what it means to live well right now. So, though this may be blasphemous in today’s Black feminist academy, I don’t think that Black women’s literary production is quite the panacea for Jane Crow dynamics that it is often assumed to be.[6] But then, from Hardison’s remarks, she doesn’t assume this either. How we come to this conclusion (and how we would extend it) may be quite different, however.

The Limits and Potential of Literary Production

And, yes, I think a focus on the socio-epistemic and material conditions of Jane Crow can help us detect the limits of relying on black women’s literary production for the abolition of Jane Crow dynamics, even if such production has an integral role to play in its abolition, e.g. producing knowledge that we use to form understandings about potential conditions of unknowability. And though I would argue that black women’s cultural production is key to worlds other than (and better than this). Because, as Hardison explains, such work helps us “confront the epistemic affront intrinsic to black women’s Jane Crow subjection,” (2018, 60).

I will still never argue that such production, by itself, can fix the problems we face. It cannot. But then, Hardison would not argue this either. As Hardison concludes, disruption of Jane Crow dynamics means a “a complete end to its material and epistemological abuses,” (2018, 62). Indeed- this is my position as well. In making this claim, we are not attempting to overshadow what has been (and continues to be) accomplished in US Black women’s literary production, but to continue to push our imaginations towards the abolition of Jane Crow.

Contact details: dotsonk@msu.edu

References

Dotson, Kristie. 2012. “A Cautionary Tale: On Limititng Epistemic Oppression.”  Frontiers: A Journal of Women Studies 33 (1):24-47.

Dotson, Kristie. 2013. “Radical Love: Black Philosophy as Deliberate Acts of Inheritance.”  The Black Scholar 43 (4):38-45.

Dotson, Kristie. 2014. “Conceptualizing Epistemic Oppression.”  Social Epistemology 28 (2).

Dotson, Kristie. 2015. “Inheriting Patricia Hill Collins’ Black Feminist Epistemology.”  Ethnic and Racial Studies 38 (13):2322-2328.

Dotson, Kristie. 2016. “Between Rocks and Hard Places.”  The Black Scholar 46 (2):46-56.

Dotson, Kristie. 2017. “Theorizing Jane Crow, Thoerizing Unknowability.”  Social Epistemology 31 (5):417-430.

Dotson, Kristie, and Marita Gilbert. 2014. “Curious Disappearances: Affectability Imbalances and Process-Based Invisibility.”  Hypatia 29 (4):873-888.

Hardison, Ayesha. 2018. “Theorizing Jane Crow, Theorizing Literary Fragments.”  Social Epistemology Review and Reply Collective 7 (2):53-63.

Hardison, Ayesha K. 2014. Writing Through Jane Crow: Racec and Gender Politics in African American Literarure. Charlottesville: University of Virginia Press.

Lyotard, Jean-Francois. 1988. The Differend: Phases in Dispute. Minneapolis: University of Minnesota Press.

[1] Nothing I am saying here is meant to indicate that literary critics are not (and can never be) philosophers. That is not a position I hold (Dotson 2016). Rather, the claim I am making is that treating people like philosophers can come with certain orientations. It takes extreme amounts of trust and belief that the person(s) whose thought one is exploring can act like a transformative element for the construction of composite understandings (Dotson 2013). It takes trust and belief to utilize someone else’s ideas to extend one’s own imagination, especially where those extensions are not written word for word. One way to treat a person’s work as philosophical work is to assume a form of authorship that allows one to use that work as a “home base” from which to explore and reconstruct the world that is implied in their abstractions. I call this activity, “theoretical archeology” (Dotson 2017, 418). And all I really meant to describe with that term was one way to take a writer as a philosopher. I had to become very detailed about my approach in this paper because of the propensity of anonymous reviewers to attempt to discipline me into literary studies or intellectual history.

[2] This is what I attempt to draw attention to in my work. The epistemological problems in Jane Crow, for example, are epistemological problems that might be able to exist without their corresponding material problems. The material problems in Jane Crow are material problems that might be able to exist without the epistemological problems. But in Jane Crow they are so linked up with each other that they reinforce and reproduce one another.  So, one can address the epistemological problems and leave the material ones (that eventually reintroduce those epistemological problems again). One can address the material problems and still leave the epistemological ones (that will eventually reintroduce those material problems again). Epistemic relations impact material relation and material relations impact epistemic relations, on my account. But they are not the same and they are not subject to domino-effect solutions. Fixing one does not mean one has fixed the other. And it is unclear one can make a claim to have fixed one without having fix both.

[3] If the reader needs more evidence that I have “figured this out,” see (Dotson 2012, 2016).

[4] There is a great deal about Lyotard’s account I would disagree with. But we are undoubtedly grappling with similar dynamics- though our subject population and approach differs significantly. Pauli Murray’s work pre-dates this formulation, however.

[5] I consider the appearance of this kind of seeming paradox to be a symptom of second order epistemic oppression. See (Dotson 2014).

[6] It may be my lower-socio-economic class background that makes it hard to accept the position that writing is going to save us all. I acknowledge that Black womenkind in the places where I am from needed literature and other cultural products for our survival (especially music, social and film medias. The kind of emphasis on writing in this exchange has a tinge of classism. But we can’t do everything here, can we? There is much more dialogue to be had on these issues.) Though, some might say, as Murray did that we need a “brown girl’s heart to hear” our songs of hope. I will agree with this and still maintain that I needed far more than that. When child protective services were coming to attempt to take me from my very good, but not flawless mother, I needed not only brown girl’s hearts. I also needed hierarchical epistemological orientations and oppressive, material conditions to lose hold.

Author Information: Ayesha Hardison, University of Kansas, hardison@ku.edu

Hardison, Ayesha. “Theorizing Jane Crow, Theorizing Literary Fragments.” Social Epistemology Review and Reply Collective 7, no. 2 (2018): 56-63.

The pdf of the article gives specific page references. Shortlink: https://wp.me/p1Bfg0-3UA

Please refer to:

Image by Trojan_Llama via Flickr / Creative Commons

 

To acknowledge Jane Crow, the term Pauli Murray contrived to unmask black women’s intersecting race and gender oppression, is not the same as understanding how black women’s subjection works—or why it persists. In “Theorizing Jane Crow, Theorizing Unknowability,” Kristie Dotson defines Jane Crow as a system of practices subjugating black women materially and epistemologically. That is, Jane Crow restricts black women’s inalienable rights to citizenship and limits their equitable access to resources.

Moreover, Jane Crow forecloses comprehension of the disenfranchisement it engenders. Dotson explains, “The complex bind of Jane Crow subordination is constituted by occupying simultaneous hyper-visibility, i.e. membership in social categories policed and suppressed for the maintenance of some form of supremacy, and invisibility, i.e. the limited nature of using those social categories to understand the specific nature of the subordination in question.”[1] Jane Crow, Dotson argues, singles out black women and girls for repression and control and summarily casts them as ciphers, nonentities “hidden in plain sight” despite statistics documenting their plight.[2] As a result of their concurrent hypervisibility and invisibility, black women are perceived as “unknowable” to the social, political, and cultural brokers upholding white supremacy and patriarchy. They are systematically targeted, branded as pathological, pared down to stereotype, regarded as disreputable, and ultimately deemed untenable.

I agree with Dotson: Jane Crow is a material and epistemological problematic manifest in black women’s longstanding repudiation in US hegemonic culture, a phenomenon theorized in black feminist thought since its beginnings. Black women have been relegated historically to the margins of black freedom struggles and women’s movements, and they continue to struggle for legibility in our post-civil rights moment particularly, as Dotson highlights, in the context of familiar narratives about the “endangered black male.”[3]

Yet, constitutive to black women’s epistemological quandary under Jane Crow, i.e. the way racism and sexism impacts their ability to produce knowledge, is the conceit that black women’s narratives about their multivalent oppression register similarly in hegemonic and counterhegemonic spaces. For example, a 2017 New York Times article uses the term Jane Crow to describe the practices of Children’s Services to punish poverty-stricken black and Hispanic women’s parenting by removing their children from their homes. The piece quotes a lawyer at length to indict the epistemic nature of the system’s biases:

There’s this judgment that these mothers don’t have the ability to make decisions about their kids, and in that, society both infantilizes them and holds them to superhuman standards. In another community, your kid’s found outside looking for you because you’re in the bathtub, it’s ‘Oh, my God’—a story to tell later. … In a poor community, it’s called endangering the welfare of your child.[4]

The state’s criminalizing narrative, based on discriminatory racial, gender, and economic geographies, exemplifies the distorted perspectives on black women’s structural disadvantages. Black women continue to be “unknowable” in dominant culture due to its investment in white supremacy and patriarchy. However, black women are not unknowable to themselves, especially if we consider their writing as epistemological endeavors instructive for their readers as well as their conceptualization of self.

An analysis of African American women writers’ engagement with Jane Crow is outside the scope of Dotson’s epistemological story in “Theorizing Jane Crow, Theorizing Unknowability,” but their texts illuminate the philosophical conundrum she identifies. From its conception, the African American women’s literary tradition has explored the realities of black women’s social condition under Jane Crow as well as considered, in its various fiction and nonfiction forms, the ways Jane Crow has shaped black women’s production of knowledge.

Pauli Murray’s own memoir Song in a Weary Throat (1987), which narrates the legal scholar’s civil rights activism throughout the twentieth century, makes concrete the material and epistemological injustices black women endure. Whereas Dotson theorizes Jane Crow by outlining the social factors facilitating black women’s “unknowability,” in literary studies, we might say black women’s “unknowability” is actually a matter of audience and, more importantly, a problem of reception. Structural realities (and inequities) demand black women’s invisibility, but black women’s philosophical and literary efforts make them visible—first and foremost—to themselves and each other.

“Theorizing Unknowability”

Dotson describes the conditions fostering black women’s invisibility as “a trifold structure of disappearing” that relies on “disregard, disbelief, and disavowal.”[5] First, black women occupy negative socio-epistemic space in hegemonic culture, which fixes them as unknowable. Public opinion largely classifies black women as irrelevant, and their social vulnerability permits rigid stereotypes that further their invisibility rather than inspire challenges to it. Dotson explains, “a catalyst for invisibility can be seen as, in part, epistemic failings with respect to what we use to make sense of our worlds that serves to obscure certain populations.”[6]

Second, black women experience reduced epistemic confidence, which means they are not afforded plausibility, seen as credible, or viewed as worthy subjects to be “believed in.”[7] In conjunction with the epistemic failings that encourage a disregard of black women, a common-held disbelief in black women delimits their capacity to contribute to the social production of knowledge.

Finally, black women are susceptible to heightened epistemic backgrounding, by which they are demoted to bit players in their own stories or employed as material for juxtaposition instead of subjects of inquiry. Such disavowal, Dotson expounds, displaces black women “as the backdrop of some other subject(s) of contemplation.”[8] Together these three negating environs underwrite black women’s invisibility, which effectively mystifies their Jane Crow oppression by the state and delegitimizes their discernment of their social status.

Dotson’s methodology invites a literary approach to her philosophical interrogation of Jane Crow’s epistemological assault. For example, she cites Toni Blackman’s poetry to exemplify black women’s negotiation of their presence so often mistaken for absence. However, when engaging Pauli Murray’s conceptualization of Jane Crow, Dotson focuses on Murray’s academic and public scholarship. She is careful to note that her work is not an intellectual history of Murray but a “theoretical archeology” of Jane Crow. “It is a story sketched between conceptual fragments in Black women’s social theory,” she writes.[9]

To compose an epistemological story, Dotson stitches together theoretical fragments from Murray’s 1947 article “Why Negro Girls Stay Single” and 1965 essay “Jane Crow and the Law: Sex Discrimination and Title VII.” She also mines a quote from Murray’s 1970 essay “The Liberation of Black Women,” in which Murray clarifies, “Jane Crow refers to the entire range of assumptions, attitudes, stereotypes, customs, and arrangements that have robbed women of a positive self-concept and prevented them from participating fully in society as equals with men.”[10]

Dotson highlights this fragment’s epistemological relevance by concentrating on the causes of Jane Crow oppression. She contends black women’s “unfavorable placement with respect to prevailing” assumptions, stereotypes, and customs sanctions the material effects and epistemic circumscriptions of Jane Crow.[11] In effect, her grappling with and suture of Murray’s philosophical fragments challenges the hierarchal epistemologies that have characterized black women as unknowable and unknowing.

I appreciate Dotson’s attentive epistemological reading, and I am struck also by the fragment’s reference to Jane Crow’s influence on black women’s “positive self-concept.” This, too, is epistemologically relevant, and I would go further to suggest that it is within fragments of Murray’s creative and nonfiction writing that an inchoate discourse about black women’s positive self-concept, which is often overlooked and undervalued, emerges.

Image by AntonSLarsson via Flickr / Creative Commons

 

“Creatively Theorizing The Black Female Autobiographical Self”

Murray was an accomplished writer as well as a distinguished legal scholar. In addition to academic articles and law compendiums, she produced a collection of poetry, a biography of her grandparents, and her posthumously-published memoir Song in a Weary Throat. The latter takes its title from Murray’s published poem “Dark Testament” (1943), which sketches African American history from African society, captivity, and slavery to impending freedom over the poem’s twelve sections. Its speaker relays, “Hope is a song in a weary throat.”[12] Noticeably, “hope” is not included in the title of Murray’s autobiography, but its affect resonates in her extraordinary life story as a black activist, feminist, lawyer, priest, and poet.[13]

The speaker of “Dark Testament” goes on to entreat, “Give me a song of hope and love/And a brown girl’s heart to hear it” (italics original). This fragment, just a few lines later, suggests that a song of hope does not achieve its full transformative power without a brown girl’s heart and ear—or to put it another way, without an empathetic black female audience. In the introduction to Murray’s poetry collection, Morris Milgram reveals the activist/poet thought of “Dark Testament,” a prodigious narrative, as “only a fragment and forerunner of the epic of black America yet to be written.”[14]

Nonetheless, the fragment frames Murray’s memoir as a song of hope. It also signals the importance of a black female reader to whom and for whom her production of knowledge would be regarded, believed, and avowed despite the presumptions of “unknowability” black women’s Jane Crow oppression provokes.[15]

In her essay “Being the Subject and the Object,” Barbara Christian recalls her experience reading African American women’s fiction, namely Paule Marshall’s novel Brown Girl, Brownstones (1959), for the first time. She writes that the “woman-voice” of the black female protagonist’s mother “constantly interrupted my mind-voice. Her anguish-rage warned me of trials I might have to face.”[16] Marshall’s coming of age tale resonated with Christian, as the latter internalized the lessons she gleaned from the protagonist’s racial and gender struggles.

The novel allowed Christian to confront the epistemic offense intrinsic to black women’s Jane Crow subjection. “In it,” she writes, “I as subject encountered myself as object.”[17] By reading black women’s writing, Christian distinguishes herself as a reader, a subject, from that which is read, an object. Her confrontation with herself as an object codified her abiding invisibility in American literature and culture even as it marked her obvious presence. Christian surmises Brown Girl, Brownstones “was crucial to a deeper understanding of my own life,” and she later learns from a conversation with Marshall that it was written “to unravel [the black female writer’s] own knots.” Central to the acts of reading and writing, then, is black women’s knowing.[18]

Christian’s reflection minds African American women’s fiction, but its premise is helpful for thinking about black women’s epistemic endeavors in nonfiction.[19] A cursory review of black women’s literary criticism in autobiographical studies reveals fragments theorizing their unknowability as well as their efforts to counteract it. In Black Women Writing Autobiography, Joanne Braxton expresses, “We have been knowers, but we have not been known.”[20] She elucidates that autobiography is a way for African American women to “meet,” or know, their mothers “on the conscious plane,” as exemplified by her study of the works of Harriet Jacobs, Ida B. Wells, Nina Simone, and Maya Angelou among others. “Defying every attempt to enslave or diminish them or their self-expression in any way,” Braxton writes, “black women autobiographers liberate themselves from stereotyped views of black womanhood, and define their own experiences.”[21]

Similarly, Margo Perkins contends that the autobiographies of Angela Davis, Assata Shakur, and Elaine Brown construct “an alternative history that challenges hegemonic ways of knowing.”[22] Finally in Words of Witness, Angela Ards asserts that personal narrative and political discourse intersect within an autobiography to create a “deliberative space where readers” can “imagine the new vocabularies and strategies that the moment demands.”[23] These fragments of knowing identify black women’s autobiography as a vehicle for positive self-concept and social epistemology.

In Song in a Weary Throat, Murray relays the moment she decided to write her memoir late in the narrative. While contemplating a faculty appointment at Brandeis in 1968, she explains, “Suddenly I realized that what I really wanted to do was to write an autobiographical book on Jim Crow and Jane Crow—racism and sexism as they had impinged upon my life.”[24] Murray elected to do both, to teach and write during the summer. Her purpose for penning the book, to write about sexism during the height of twentieth-century black freedom struggles, echoes her resolve to confront systemic oppression depicted throughout her memoir.

Earlier in the text Murray discloses her decision to attend Howard Law School “with the single-minded intention of destroying Jim Crow.”[25] However, it is during her time there that she began to theorize Jane Crow, “the twin evil of discriminatory sex bias,” as she was the only female student in her class at the all-black institution which had no women faculty and only one female staff member.[26] “[T]he racial factor was removed in the intimate environment of a Negro law school dominated by men,” she writes, “and the factor of gender was fully exposed.”

Murray describes experiencing the material affects of Jane Crow as well as its epistemological repercussions in this period of her life. She is excluded from the legal fraternity and its extended networks due to her gender. Although she characterizes her male classmates as “friendly,” she qualifies that they “seemed to take it for granted that I had nothing to contribute. For much of that first year I was condemned to silence unless the male students exhausted their arguments or were completely stumped by a professor’s question.”[27] Murray is barred customarily from adding to the class’s production of knowledge. Consequently, she writes that her realization “women were often the objects of ridicule disguised as a joke” by her classmates and professors “aroused an incipient feminism in me long before I knew the meaning of the term ‘feminism.’”[28]

Song in a Weary Throat details Murray’s experiences with racial and gender subordination, but it also outlines the processes of knowledge production that motivated her to identify and signify her Jane Crow oppression.[29] She theorizes the practice in law school, and she applies the term in her 1947 essay “Why Negro Girls Stay Single.” Yet, it is in the fragments of her autobiography that Murray demythologizes black female epistemologies. Song in a Weary Throat is an enlightening testament to black women’s production of knowledge.

Coda

In the conclusion of her essay, Dotson asks, “How does one disrupt epistemic resources that hide their inadequacy behind the shape of its own sense making features? … Would one aim an intervention at the nature of imagination as a means of disrupting knowledge economies?”[30] In response to these questions, she states many black feminists, such as Pauli Murray and Kimberlé Crenshaw, and many black women writers, such as June Jordan, Toni Morrison, and Audre Lorde, “have tried.”  Yet such a feat could only be accomplished with the demise of Jane Crow—a complete end to its material and epistemological abuses.

Although I engage Pauli Murray as a writer here to offer a complementary approach to Dotson’s theorizing of Jane Crow, I do not claim that black women’s writing irons out Jane Crow’s material paradoxes. I do want to suggest black women’s self-articulation provides them a way to mitigate the intellectual confines of Jane Crow. Black women writers do not “resolve our dilemmas,” to return to Christian’s insights about the literary tradition, but they do “name them.”[31]  In a destructive culture of invisibility, for black women to call out Jane Crow and counter with their self-representation has substantive weight.

Contact details: hardison@ku.edu

References

Ards, Angela A. Words of Witness: Black Women’s Autobiography in the Post-Brown Era. Madison: University of Wisconsin Press, 2015.

Bobo, Jacqueline.  Black Women as Cultural Readers. New York: Columbia, 1995.

Braxton, Joanne M. Black Women Writing Autobiography: A Tradition within a Tradition. Philadelphia: Temple University Press, 1989.

___. “Autobiography and African American Women’s Literature.” African American Women’s Literature. Eds. Angelyn Mitchell and Danille K. Taylor.  Cambridge, UK: Cambridge University Press, 2009. 128-147.

Christian, Barbara. “Being the Subject and the Object: Reading African-American Women’s Novels.” New Black Feminist Criticism, 1985-2000. Eds. Gloria Bowles, M. Giulia Fabi, and Arlene R. Keizer. Urbana: University of Illinois Press, 2007. 120-126.

Clifford, Stephanie and Jessica Silver-Greenberg. “Foster Care as Punishment: The New Reality of ‘Jane Crow.’” New York Times July 21, 2017. Accessed January 31, 2018 https://www.nytimes.com/2017/07/21/nyregion/foster-care-nyc-jane-crow.html

Cooper, Brittney C. Beyond Respectability: The Intellectual Thought of Race Women. Urbana: University of Illinois Press, 2017.

Dotson, Kristie. “Theorizing Jane Crow, Theorizing Unknowability.” Social Epistemology: A Journal of Knowledge, Culture and Policy 31:5 (2017) 417-430.

Graham, Maryemma. “Introduction.” The Cambridge Companion to the African American Novel. Cambridge, UK: Cambridge University Press, 2004. 1-16

Hardison, Ayesha K. Writing through Jane Crow: Race and Gender Politics in African American Literature. Charlottesville: University of Virginia Press, 2014.

Perkins, Margo V. Autobiography as Activism: Three Black Women of the Sixties. Jackson: University Press of Mississippi, 2000.

Petry, Ann. The Street. 1946. Boston: Houghton Mifflin Company, 1998.

Milgram, Morris. “Introduction.” Dark Testament and Other Poems. Norwalk, CT: Silvermine, 1970.

Murray, Pauli. “Dark Testament.” 1943. Dark Testament and Other Poems. Norwalk, CT: Silvermine, 1970. 12-27.

___. Song in a Weary Throat: An American Pilgrimage. New York: Harper & Row, Publishers, Inc., 1987.

___. “The Liberation of Black Women.” 1970. Words of Fire: An Anthology of African-American Feminist Thought. Ed. Beverly Guy Sheftall. New York: The New Press, 1995. 186-197.

[1] Kristie Dotson, “Theorizing Jane Crow, Theorizing Unknowability,” Social Epistemology: A Journal of Knowledge, Culture and Policy 31:5 (2017): 417.

[2] Ibid., 420, 425.

[3] Ibid. The degree of black women’s visibility in the current #metoo campaign is also debatable, given the limited discussion of their experiences in Hollywood despite the hashtag’s origin in black female activist Tarana Burke’s grassroots organizing around sexual abuse.

[4] Maisha Joefield, the mother penalized under these circumstances, shares in the article that the temporary removal of her child still makes her nervous: “You’re afraid to parent the way you would normally parent.” The ritualized castigation of poor black mothers with scarce options for childcare speak to the circuitous material and epistemological aspects of their Jane Crow oppression. Stephanie Clifford and Jessica Silver-Greenberg, “Foster Care as Punishment: The New Reality of ‘Jane Crow,’” New York Times July 21, 2017, Accessed January 31, 2018, https://www.nytimes.com/2017/07/21/nyregion/foster-care-nyc-jane-crow.html.

[5] Dotson, “Theorizing Jane Crow, Theorizing Unknowability,” 426.

[6] Ibid., 423.

[7] Ibid., 424.

[8] Ibid.

[9] Ibid., 418.

[10] Pauli Murray, “The Liberation of Black Women,” 1970, Words of Fire: An Anthology of African-American Feminist Thought, edited by Beverly Guy-Sheftall (New York: The New Press, 1995), 186.

[11] Dotson, “Theorizing Jane Crow, Theorizing Unknowability,” 421.

[12] Pauli Murray, “Dark Testament,” Dark Testament and Other Poems (Norwalk, CT: Silvermine, 1970), 22.

[13] Murray’s public identities are the subtitle to the eponymously titled 1989 edition of her autobiography.

[14] Morris Milgram, “Introduction,” Dark Testament and Other Poems (Norwalk, CT: Silvermine, 1970), n pag.

[15] Jacqueline Bobo differentiates the interpretive community black women create from audiences that passively consume representations perpetuating black women’s ideological domination. Within an interpretive community, “women utilize representations of black women that they deem valuable, in productive and politically useful ways” to challenge their cultural subordination. Jacqueline Bobo, Black Women as Cultural Readers (New York: Columbia, 1995), 22.

[16] Barbara Christian, “Being the Subject and the Object: Reading African-American Women’s Novels,” New Black Feminist Criticism, 1985-2000, edited by Gloria Bowles, M. Giulia Fabi, and Arlene R. Keizer (Urbana: University of Illinois Press, 2007), 121.

[17] Ibid., 122.

[18] African American women’s fiction also theorizes black women’s Jane Crow oppression. For example, Ann Petry’s novel The Street, published in 1946 one year before Murray’s essay “Why Negro Girls Stay Single,” examines Lutie Johnson’s interlocking racial, gender, class, and sexual oppressions as a single mother and domestic worker in Harlem during WWII. Lutie is aware of her invisibility among her white employers, who assume she is promiscuous, and she questions the purpose of being taught how to write, as her voice is undermined throughout the novel. Of course, the existence of Petry’s novel attests to the importance of black women writing and sharing their stories.

[19] The social aims of black women’s fiction and life writing are not mutually exclusive. Maryemma Graham points out “the autobiographical impulse in the African American novel. The continuous need to explain and ‘inscribe the self’ in a world which has historically denied the existence of that self gives both focus and intensity to the act of writing a story about black life.” Maryemma Graham, “Introduction,” The Cambridge Companion to the African American Novel (Cambridge, UK: Cambridge University Press, 2004), 5.

[20] Joanne M. Braxton, Black Women Writing Autobiography: A Tradition within a Tradition (Philadelphia: Temple University Press, 1989), 1.

[21] Joanne M. Braxton, “Autobiography and African American Women’s Literature,” African American Women’s Literature, edited by Angelyn Mitchell and Danille K. Taylor (Cambridge, UK: Cambridge University Press, 2009), 128.

[22] Margo V. Perkins, Autobiography as Activism: Three Black Women of the Sixties (Jackson: University Press of Mississippi, 2000), xii.

[23] Angela A. Ards, Words of Witness: Black Women’s Autobiography in the Post-Brown Era (Madison: University of Wisconsin Press, 2015), 16.

[24] Pauli Murray, Song in a Weary Throat: An American Pilgrimage (New York: Harper & Row, Publishers, Inc., 1987), 388.

[25] Ibid., 182.

[26] Ibid., 183.

[27] Ibid., 183-184.

[28] Ibid., 183, 184.

[29] Murray’s autobiography foregrounds her battles with racism and sexism in her public life to the exclusion of her efforts to understand her queer and nonnormative sexual and gender identities in her private life. Brittney Cooper’s intellectual history of Murray highlights the ways Jane Crow and the politics of respectability inform black women’s praxis as “knowledge producers” (102). She reveals, “at exactly the same moment that [Murray] named Jane Crow as a form of sexist discrimination that she experienced as a woman, she was frequently being hospitalized for depression related to her struggle with her gender identity” (100). In my own work on Murray, I argue Song in a Weary Throat “resounds with silence” about her struggle with her gender identity due to Jane Crow’s “literary inscriptions” for black women’s self-representation (17, 15). Brittney C. Cooper, Beyond Respectability: The Intellectual Thought of Race Women (Urbana: University of Illinois Press, 2017); Ayesha K. Hardison, Writing through Jane Crow: Race and Gender Politics in African American Literature (Charlottesville: University of Virginia Press, 2014).

[30] Dotson, “Theorizing Jane Crow, Theorizing Unknowability,” 426.

[31] Christian, “Being the Subject and the Object,” 122.

Author Information: Elizabeth Losh, University of California, elosh@ucsd.edu

Losh, Elizabeth. “Hashtag Feminism and Twitter Activism in India.” Social Epistemology Review and Reply Collective 3, no. 12 (2014): 10-22.

The PDF of the article gives specific page numbers. Shortlink: http://wp.me/p1Bfg0-1Kx

hashtag

Image credit: Ognian Mladenov, via flickr

Abstract

The use of Twitter by activists protesting violence against women, particularly sexual violence, is complicated by the fact that microblogging services use hashtags to identify relevant content to their audiences.  Activist communities congregate around these particular keywords, and archives that map the history and morphology of controversies in public discourse online depend on shared terminology in the metadata.  It is noteworthy that trending topics are particularly likely to reference proper names.  After a prominent fatal sexual attack in India, the mobilization of activists through online organizing progressed through several stages, and some users privileged #delhirapecase or delhigangrape – which protected the private identity of the victim – while others made her into a public martyr by using her proper #jyotisinghpandey.  Many also used a series of pseudonyms, such as #damini or #amanat.  This study focuses on the informational labor of two specific activist groups in India — Breakthrough and Blank Noise — and how careful hashtag use reflected their policy decisions and deliberative activities about metadata management, which is becoming an increasingly important aspect of transformative social movements that bring citizens out into the streets.

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