Archives For patriarchy

Author Information: Arianna Falbo, Brown University, Arianna_Falbo@brown.edu.

Falbo, Arianna. “Spitting Out the Kool-Aid: A Review of Kate Manne’s Down Girl: The Logic of Misogyny.” Social Epistemology Review and Reply Collective 7, no. 8 (2018): 12-17.

The pdf of the article gives specific page references. Shortlink: https://wp.me/p1Bfg0-40A

The years of far-right rhetoric about Hillary Clinton have formed a real-time theatre of misogyny, climaxing at the 2016 Presidential election.
Image by DonkeyHotey via Flickr / Creative Commons

 

Kate Manne’s Down Girl breathes new life into an underexplored yet urgently important topic. Using a diverse mixture of current events, empirical findings, and literary illustrations, Manne guides her reader through the underbelly of misogyny: its nature, how it relates to and differs from sexism, and why, in supposedly post-patriarchal societies, it’s “still a thing.”[1]

Chapter 1 challenges the standard dictionary-definition or “naïve conception” of misogyny, as Manne calls it. This view understands misogyny primarily as a psychological phenomenon, operative in the minds of men. Accordingly, misogynists are disposed to hate all or most women because they are women.

The naïve conception fails because it renders misogyny virtually non-existent and, as a result, politically inert. Misogynists need not feel hatred towards all or even most women. A misogynist may love his mother or other women with whom he shares close personal relationships. Manne insists that this should not detract from his being an outright misogynist. For example, the naïve view fails to make sense of how Donald Trump could both love his daughter while simultaneously being misogyny’s poster boy. A different analysis is needed.

Following Haslanger (2012), Manne outlines her “ameliorative” project in chapter 2. She aims to offer an analysis of misogyny that is politically and theoretically useful; an analysis that will help to reveal the stealthy ways misogyny operates upon its perpetrators, targets, and victims. Manne argues that misogyny should be understood in terms of its social function: what it does to women and girls.

On her view misogyny functions to uphold patriarchal order, it punishes women who transgress and rewards those who abide.[2] Misogyny is thus selective: it does not target all women wholesale, but prioritizes for those who protest against patriarchal prescriptions. In Manne’s words: “misogyny primarily targets women because they are women in a man’s world…rather than because they are women in a man’s mind.[3]

Chapter 3 outlines, what I take to be, one of the most original and illuminating insights of the book, a conceptual contrast between sexism and misogyny. Manne dubs sexism the “justificatory” branch of patriarchal order: it has the job of legitimizing patriarchal norms and gender roles. Misogyny, on the other hand, is the “law enforcement” branch: it patrols and upholds patriarchal order. Both misogyny and sexism are unified by a common goal “to maintain or restore a patriarchal social order.”[4]

In Chapter 4, Manne discusses the gender coded give/take economy that she takes to be at the heart of misogyny’s operation.[5] Patriarchal order dictates that women have an obligation to be givers of certain feminine-coded goods and services such as affection, sex, and reproductive labour.

Correspondingly, men are the entitled recipients of these goods and services in addition to being the takers of certain masculine-coded privileges, including public influence, honour, power, money, and leadership. When men fail to receive these feminine-coded goods, which patriarchal order deems they are entitled to, backlash may ensue. What’s more, women who seek masculine-coded privileges, for example, leadership positions or other forms of power and prestige, are in effect violating a patriarchal prohibition. Such goods are not theirs for the taking—women are not entitled takers, but obligated givers.

In chapter 5, Manne considers a popular “humanist” kind of view according to which misogyny involves thinking of women as sub-human, non-persons, lifeless objects, or mere things. She turns this view on its head. She argues that: “her personhood is held to be owed to others in the form of service labour, love, and loyalty.”[6] As per the previous chapter, women are socially positioned as human givers. Manne’s contends that misogyny is not about dehumanization, but about men feeling entitled to the human service of women. She pushes this even further by noting that in some cases, when feminine-coded human goods and services are denied, it is men who may face feelings of dehumanization.[7]

Chapter 6, in my opinion, is where a lot of the action happens. In this chapter Manne presents the much-needed concept of himpathy: the undue sympathy that is misdirected away from victims and towards perpetrators of misogynistic violence.[8] She explains how certain exonerating narratives, such as the “the golden boy”, function to benefit highly privileged (normally: white, non-disabled, cis, heterosexual, etc.) men who commit violent acts against women.[9]

In this chapter Manne also draws upon and adds to the growing literature on testimonial injustice. Testimonial injustice occurs when a speaker receives either a deficit or surplus of creditability owing to a prejudice on the part of the hearer.[10] Manne discusses how in cases of he said/she said testimony involving accusations of sexual assault, privileged men may be afforded excess creditability, thereby undermining the creditability of victims – there is only so much creditability to go around.[11]

This, she notes, may lead to the complete erasure, or “herasure” as Manne calls it, of the victim’s story altogether.[12] Creditability surpluses and deficits, she says: “often serve the function of buttressing dominant group members’ current social position, and protecting them from downfall in the existing social hierarchy.”[13] Exonerating narratives puff up privileged men and, as a result, deflate the creditability of women who speak out against them. These unjust distributions of creditability safeguarding dominate men against downward social mobility. In a slogan: “testimonial injustice as hierarchy preservation.”[14]

In Chapter 7, Manne discusses why victims of misogynistic violence who seek moral support and attention are regularly met with suspicion, threats, and outright disbelief. Patriarchy dictates that women are human givers of moral support and attention, not recipients (as per the arguments of chapter 4). Drawing moral attention towards women who are victimized by misogyny attempts to disrupt patriarchy’s divisions of moral labour. Manne says that this is “tantamount to the server asking for service, the giver expecting to receive…it is withholding a resource and simultaneously demanding it.”[15]

In chapter 8, Manne explores how misogyny contributed to Hillary Clinton’s loss of the 2016 US presidential election. She claims that misogyny routinely targets women who infringe upon man’s historical turf; women who try to take what patriarchal order decrees as the jobs and privileges reserved for men. Overstepping or trespassing upon his territory often results in misogynistic retaliation. Such women are seen as “greedy, grasping, and domineering; shrill and abrasive; corrupt and untrustworthy”[16] or, in the words of the current President of the United States, “nasty.”[17]

Down Girl ends by discussing the prospects of overcoming misogyny. At one point Manne says, as if to shrug her shoulders and throw up her arms in despair: “I give up.”[18] Later, in a subsequent interview, Manne claims she did not intend for this to be a discouraging statement, but a “liberating declaration.”[19] It is an expression of her entitlement to bow out of this discussion (for now), after having said her piece and making conversational space for others to continue.

In my opinion, Down Girl is essential reading for any serious feminist, moral, or political scholar. The proposed analysis of misogyny is lucid and accessible while at the same time remaining acutely critical and rigorous. The text does not get bogged down in philosophical jargon or tedious digressions. As such, this book would be fairly congenial to even the philosophically uninitiated reader. I highly recommend it to both academics and non-academic alike. Moreover, Manne’s addition of “himpathy” and “herasure” to the philosophical lexicon helps to push the dialectic forward in innovative and insightful ways.

Despite being on such a sombre and depressing topic, I found this book to be engrossing and, for the most part, enjoyable to read. Manne has an inviting writing style and the book is scattered with a number of brilliant quips, clever examples, and gripping case studies.  Though, be warned, there are certainly sections that might reasonably be difficult, uncomfortable, and potentially triggering. Down Girl examines some of the most fraught and downright chilling aspects of our current social and political atmosphere; including real life depictions of horrific violence against women, as well as the attendant sympathy (himpathy) that is often given to those who perpetrate it. This is to be expected in a book on the logic of misogyny, but it is nonetheless important for readers to be extra cognisant.

After finishing the book, I have one main concern regarding the explanatory reach of the analysis. Recall that on Manne’s account: “misogyny’s primary function and constitutive manifestation is the punishment of “bad” women, and policing of women’s behavior.”[20] Misogyny’s operation consist in a number of “down girl moves” designed to keep women in line when they fail to “know their place” in a man’s world.[21] She emphasizes the retaliatory nature of misogyny; how it functions analogously to a shock collar: fail to do as patriarchy demands as and risk being shocked.[22]

I worry, though, that this emphasis on punishing patriarchy’s rebels fails to draw adequate attention to how misogyny can target women for what appears to be nothing more than the simple reason that he is dominant over her. It is not only rebels who are misogyny’s targets and victims, but also patriarchy’s cheerleaders and “good” girls. (Though, those who protest are presumably more vulnerable and have greater targets on their backs.)

Perhaps the analogy is better thought of not in terms of him shocking her when she fails to obey patriarchal order, but him administering shocks whenever he sees fit, be it for a perceived failure of obedience or simply because he is the one with the controller. Or, to use another analogy that picks up on Manne’s “policing” and “law enforcement” language, maybe misogyny is characterized best as a crooked cop, one who will pull you over for a traffic violation, but also one who will stop you simply because he feels he can, for he is the one with the badge and gun.

A woman might play her role in a man’s world to a tee; she may be happily complacent, she may give him all of her feminine-coded goods, in the right manner, in the right amount, at the right time, and so on. She may never threaten to overstep historical gender roles, nor does she attempt to cultivate masculine-coded privileges. She may even add fuel to patriarchy’s fire by policing other women who disobey. Even still, despite being on her very best behaviour, she too can be victimized by misogynistic violence. Why? It remains unclear to me how Manne’s analysis could offer a satisfying answer. While I deeply admire the proposal, I am curious of how it captures non-corrective cases of misogyny that don’t aim to punish for (apparent) violations of patriarchal order.

Manne notes that a major motivation for her writing is “to challenge some of the false moral conclusions we swallow with the Kool-Aid of patriarchal ideology.”[23] I came away from this book having learned a great deal about the insidious ways misogyny operates to put women and girls down; many a Kool-Aid has been spit out. Down Girl also plants fertile seeds for future research on misogyny, a topic desperately in need of more careful attention and intelligent investigation.

In the preface Manne says that: “ultimately, it will take a village of theorists to gain a full understanding of the phenomena.”[24] This book makes headway in offering theorists a myriad of conceptual tools and resources needed to facilitate and push the discussion forward. I anticipate that Down Girl will be a notable benchmark for many fruitful discussions to come.

Contact details: Arianna_Falbo@brown.edu

References

Berenson, Tessa. “Presidential Debate: Trump Calls Clinton ‘Nasty Woman’.” Time, 20 Oct. 2016, time.com/4537960/donald-trump-hillary-clinton-nasty-woman-debate/.

Bullock, Penn. “Transcript: Donald Trump’s Taped Comments About Women.” The New York Times, 8 Oct. 2016, nytimes.com/2016/10/08/us/donald-trump-tape-transcript.html.

Cleary, Skye C. “It Takes Many Kinds to Dismantle a Patriarchal Village.” Los Angeles Review of Books, 2 Mar. 2018, lareviewofbooks.org/article/takes-many-kinds-dismantle-patriarchal-village/.

Davis, Emmalon. “Typecasts, Tokens, and Spokespersons: A Case for Credibility Excess as Testimonial Injustice” Hypatia, 2016.

Fricker, Miranda. Epistemic Injustice Power and the Ethics of Knowing. New York: Oxford University Press, 2007.

Haslanger, Sally. Resisting Reality. New York: Oxford University Press, 2012.

Manne, Kate. Down Girl: The Logic of Misogyny. New York: Oxford University Press, 2017.

Medina, José. The Epistemology of Resistance. New York: Oxford University Press, 2012.

Medina, José. “The Relevance of Credibility Excess in a Proportional View of Epistemic Injustice: Differential Epistemic Authority and the Social Imaginary” Social Epistemology, 2011.

Penaula, Regan. “Kate Manne: The Shock Collar That Is Misogyny” Guernica, 7 Feb. 2018, https://www.guernicamag.com/kate-manne-why-misogyny-isnt-really-about-hating-women/.

Yap, Audre. “Creditability Excess and the Social Imaginary in Cases of Sexual Assault.” Feminist Philosophy Quarterly, 2017.

[1] Manne (2017): xxi.

[2] Manne (2017): 72.

[3] Ibid: 69.

[4] Ibid: 80.

[5] At least as it is manifests in the cultures of the United States, the United Kingdom, and Australia, these are the focus of Manne’s analysis. Cf. ibid: fn. 3.

[6] Ibid: 173.

[7] Ibid: 173.

[8] Ibid: 197.

[9] Ibid: 197.

[10] Cf. Fricker (2007), though, Fricker focuses primarily upon creditability deficits. See, Davis (2016), Medina (2011, 2012), and Yap (2017), among others, for discussions of how creditability surpluses can also constitute testimonial injustice.

[11] See Manne’s discussion of Medina (2011) who stresses this point, 190.

[12] Ibid: 209-14.

[13] Manne (2017): 194.

[14] Ibid: 185.

[15] Ibid: 304.

[16] Ibid: 303.

[17] Berenson (2016).

[18] Manne (2017): 300.

[19] Cleary (2018).

[20] Manne (2017): 192.

[21] Ibid: 68.

[22] Cf. Penaluna (2018).

[23] This is from an interview with Los Angeles Review of Books; see Cleary (2018).

[24] Manne (2017): xiii.

Author Information: Kristie Dotson, Michigan State University, dotsonk@msu.edu

Dotson, Kristie. “Abolishing Jane Crow.” Social Epistemology Review and Reply Collective 7, no. 7 (2018): 1-8.

The pdf of the article gives specific page references. Shortlink: https://wp.me/p1Bfg0-3YJ

See also:

Image by Adley Haywood via Flickr / Creative Commons

 

It took me 8 years to publish “Theorizing Jane Crow.” I wrote it at the same time as I wrote my 2011 paper, “Tracking Epistemic Violence, Tracking Practices of Silencing.” The many reviews that advocated for rejecting “Theorizing Jane Crow” over the years made me refine it…and alter it….and refine it some more. This is not necessarily a gripe. But it will seem that way. Because there are two consistent critiques of this paper that have stuck with me for how utterly problematic they were and are. In this reply to Ayesha Hardison’s commentary, “Theorizing Jane Crow, Theorizing Literary Fragments,” I display and analyze those critiques because they link up in interesting ways to Ayesha Hardison’s commentary.

The two most common critiques of this paper include:  1) the judgement that my paper is not good intellectual history or not good literary criticism and 2) the conclusion that Black women’s literary production is so advanced that there is no way to make a claim of unknowability with respect to US Black women today (or yesterday).  In what follows, I will articulate and explore these critiques. The first critique brings attention to just how wonderful Hardison’s commentary actually is for how it sets up the rules of engagement between us. The second critique can be used to tease out convergences and a potential divergence between Hardison’s position and my own.

The First Critique: Does E’rybody Have to be Historians or Literary Studies Scholars?

Since I neither claim to be a literary scholar nor a historian, I found no reason to deny the first (and by far most consistent) critique of this paper. This paper is not good intellectual history. And, plainly speaking, it is terrible literary criticism. Let me say this, for the record, I am neither an intellectual historian, nor a literary critic. And, with all due respect to those people who do these things well, I have no desire to be.

Hardison detected that she and I are coming to the same sets of problems with different trainings, different habits of attention, and, quite frankly, different projects. Because, no, I am not a literary critic. Hardison acknowledges our different orientations when she writes:

Whereas Dotson theorizes Jane Crow by outlining social features facilitating black women’s ‘unknowability,’ in literary studies, we might say black women’s ‘unknowability’ is actually a matter of audience, and more importantly, a problem of reception. (2018, 57)

Another place where differences in our respective approaches is foreshadowed is in the very first line of Hardison’s reply when she writes, “To acknowledge Jane Crow…is not the same as understanding how black women’s subjugation works – or why it persists,” (2018, 56). From the very first line, I was put at ease with Hardison’s commentary. Because however much we might disagree or agree, at least, she recognized my actual project. I treat Murray like a philosopher. In accordance with philosopher stone rules, e.g. like an element from which composite understandings can be derived. It was clear to me that even among Black feminist academics, potential audiences for this paper were simply unused to the kinds of flights of fancy that taking Black women as philosophers requires.[1]

Hardison didn’t have this problem at all. In other words, Hardison was, for me, a “brown girl’s heart” to receive what I was trying to articulate. For that I am so very grateful to her. I believe that Hardison understood what I was trying to do. I was treating Pauli Murray the way I would be allowed to treat any theoretical white dude. Like her work should be able to inspire more work with family resemblances. I treated Murray like there could and should be Murray-ians. And it was this move that I utterly refused to compromise on. It was also the move that inspired, in my estimation, the most resistance from anonymous reviewers. But Hardison got it. But, then, of course, she would get it. She does the same thing in her book, Writing Through Jane Crow (Hardison 2014). We treat Murray like a philosopher.

The performance of Hardison’s commentary accords very much with the existence of (and necessity of) “an empathetic black female audience” (Hardison 2018, 59). And what is uncovered between us is a great deal of agreement between her positions and my own and a potential disagreement. At this point, Hardison and I can talk to each other. But I want to draw attention to the fact it is Hardison’s commentary that sets the stage for this exchange in a way where our convergences and divergences can be fruitfully explored. And that is no easy feat. Hats off to Hardison. I am deeply grateful for her work here.

The Second Critique: Black Women’s Literary Production vs. Jane Crow Dynamics

The second most common critique of “Theorizing Jane Crow” concerned skepticism about whether US Black women could be understood as unknowable in the face of US Black women’s literary production. It was only in reading Hardison’s commentary that I realized, I may have misunderstood part of the critiques being leveled at me from (again) anonymous reviewers that were most likely Black feminist academics themselves. One might have misread my essay to say that Black women never afford each other the kind of empathetic audiences that are needed to render them, broadly speaking, knowable in hegemonic and counterhegemonic spaces. That the Black community at large never extends such empathy.

Or, in Hardison’s words, some may have taken me as advocating for “the conceit that black women’s narratives about their multivalent oppression registers similarly in hegemonic and counterhegemonic spaces” (2018, 56). Now, I am not sure if Hardison is accusing me of this. There is reason to believe that she isn’t but is rather choosing this point as a way of empathetically extending my remarks. For example, Hardison writes:

An analysis of African American women writers’ engagement with Jane Crow is outside the scope of Dotson’s epistemological story in “Theorizing Jane Crow, Theorizing Unknowability,” but their texts illuminate the philosophical conundrum she identifies. (2018, 57)

This suggests, to me, that Hardison detects the problem of Jane Crow unknowability in Black women writer’s work, even as they work to navigate and counter such unknowability with some degree of success.

Now, to be clear, unknowability, on the terms I outline, can be relative. One might argue that the difficulty of receiving a fair peer-review for this paper in a particular domain rife with either Black feminists with literary, historical, and/or sociological training means that hegemonic and counterhegemonic communities alike pose epistemological problems, even if they are not exactly the conditions of Jane Crow (and they aren’t). But those epistemological problems may have the same structure of the epistemological engine I afford to Jane Crow dynamics, e.g. disregard, disbelief, and disavowal. This is primarily because, epistemologies in colonial landscapes are very difficult to render liberatory (see, for example, Dotson 2015).[2]

Limits of Unknowability, Limits of a Single Paper

Still, for me, the most egregious misreading of “Theorizing Jane Crow” is to interpret me as saying that Black women are equally as unknowable to other Black women as they are in “hegemonic spaces” (56) and according “hierarchical epistemologies” (58). Yeah, that’s absurd. Hardison’s commentary extends my article in exactly the ways it needs to be extended to cordon off this kind of ludicrous uptake, i.e. that Black womenkind are equally unknowable to ourselves as we might be in the face of hegemonic epistemological orientations.[3]

But, as Hardison notes, an extensive development of the point that Black womenkind offer empathetic audiences to Black womenkind that render them knowable, at least “to themselves and each other” (Hardison 2018, 57), both for the sake of their own lives and for the sake of the lives of other Black womenkind, is outside the scope of my paper. Rather, I am concerned with, as Hardison rightly notes, “understanding how black women’s [Jane Crow] subjugation works – or why it persists” (2018, 56). And though I don’t think my essay indicates that Black womenkind are equally “unknowable” to each other in all instances, if that is a possible reading of my essay, thank goodness for Ayesha Hardison’s generous extension of this project to make clear that the performance of this text belies that reading.

Perhaps Hardison says it best, my “grappling with and suture of Murray’s philosophical fragments challenges the hierarchical epistemologies that have characterized black women as unknowable and unknowing,” (2018, 58). This is why I love Black feminist literary studies folks. Because, yes! The performance of this piece belies the message that there is no way for us to be known, especially by ourselves. And, what’s more, such an inexhaustible unknowing has to be false for the successful performance of this text. But then I am aware of that. So what else might I be attempting to articulate in this paper?

It strikes me that a charitable reading of the second main criticism leveled at this paper might proceed as follows:

From where does the charge of unknowability come in the face of the existence and quantity of US Black women’s literary and cultural production? This is an especially important question when you need Black women’s production to write about their ‘unknowability,” how can you claim that Black women are unknowable when the condition for the possibility of this account is that you take yourself to know something about them from their own production? This seems to be a contradiction.

Yes. It does seem like a contradiction or, if folks need a white male theorist to say something to make it real, it is a kind of differend- (Lyotard 1988).[4] Radically disappeared peoples, circumstances, and populations are often subject to problems with respect to frames, evidence and modes of articulation. Being disappeared is different than being invisible simpliciter, but then I make this claim in “Theorizing Jane Crow.”

Problems of large scale disappearing that affect entire populations, events, and historical formations render unknowable unknowability. This problematic seems to be what this second critique falls prey too, i.e. the disappearing of unknowability behind sense making devices (Dotson 2017). As the critique goes, if Black women are unknowable at the scale I seem to propose, then how do I know about this unknowability?[5] How, indeed.

I still reject this rendition of the second criticism, i.e. the one that says with all the literary production of Black womenkind we are no longer unknowable or else I wouldn’t know about a condition of unknowability. Jane Crow unknowability, in my estimation, is not subject to brute impossibilities, i.e. either we are knowable or unknowable. This is because Jane Crow is domain specific in the same ways Jim Crow was (and is). Also, Jane Crow is made of epistemological and material compromises. Hardison gets this. She is very clear that “Black women continue to be ‘unknowable’ in dominant culture due to its investment in white supremacy and patriarchy,” (Hardison 2018, 57).

But, let’s get something clear, an “investment” is not only a set of attitudes. It is composed of sets of institutional norms (and institutions through which to enact those norms). Sets of norms of attention. Sets of historically derived “common sense” and “obvious truths” that routinely subject Black womenkind to Jane Crow dynamics. It is composed of social and material relations that make sense because of the investments that invest them with sense.

Jane Crow as a Dynamic of Complex Social Epistemology

Jane Crow dynamics, when they appear, are built into the functioning of institutions and communal, social relations. They are embedded in the “common sense” of many US publics- including counterhegemonic ones- because I am presuming we are assuming that some Black communities indulge in patriarchy, which is what lead Murray to her observations (See, Hardison 2018). And though Black women can disrupt this in pockets it does not change the epistemological and material conditions that are reinforcing and recreating Jane Crow dynamics for every generation. And it doesn’t change the reality that there is a limit to our capacity to change this from within Jane Crow dynamics. So, we write ourselves into existence again and again and again.

Hardison acknowledges this, as she astutely notes, “Although I engage Pauli Murray as a writer here to offer a complementary approach to Dotson’s theorizing of Jane Crow, I do not claim that black women’s writings irons out Jane Crow’s material paradoxes,” (2018, 62). And this is the heart of my disagreement with the second major critique of this essay. Are those critics claiming that epistemological possibilities brought by Black women’s literary production iron out material paradoxes that, in part, cause Jane Crow dynamics? Because, that would be absurd.

But here is where I appear to disagree with Hardison. Is Hardison claiming that epistemological possibilities have ironed out Jane Crow’s epistemological paradoxes? Because I sincerely doubt that. Schedules of disbelief, disregard, and disavowal are happening constantly and we don’t have great mechanisms for tracking who they harm, whether they harm, and why (on this point, see Dotson and Gilbert 2014).

This leads to a potential substantive disagreement between Hardison and I. And it can be found in the passage I cited earlier. She writes:

Whereas Dotson theorizes Jane Crow by outlining social features facilitating black women’s ‘unknowability,’ in literary studies, we might say black women’s ‘unknowability’ is actually a matter of audience, and more importantly, a problem of reception. (2018, 57)

There is a potential misreading of my text here that seems to center on different understandings of “epistemological” that may come from our different disciplinary foci. Specifically, I don’t necessarily focus on social features. I focus on epistemic features facilitating black women’s unknowability, when we encounter it. That is to say, disregard, disbelief, and disavowal are epistemic relations. They are also social ways of relating, but, importantly, in my analysis they are socio-epistemic. What that means is that they are social features that figure prominently in epistemological orientations and conduct. And these features are embedded in what makes audiences and uptake relevant for this discussion. That is to say, the reasons why audiences matter, and problems of reception are central, is because varying audiences indulge in disregard, disbelief, and disavowal differently.

So, the juxtaposition that might be assumed in Hardison’s statement of the focus in literary studies, which is indicated by the phrase “actually a matter of,” is not a difference in kind, but rather a difference in emphasis. I am tracking the kinds of things that makes audience and problems of reception important for rendering anything knowable in social worlds, e.g. disregard, disbelief, and disavowal. Because it is there, as a philosophy-trained academic, that I can mount an explanation of “how black women’s [Jane Crow] subjugation works -or why it persists” (Hardison 2018, 56).

The Great Obstacles of Abolishing Jane Crow

In the end, this may not be a disagreement at all. I tend to think of it as a change in focus. My story is one story that can be told. Hardison’s story is another. They need not be taken as incompatible. In fact, I would claim they are not incompatible but, as Hardison notes, complementary (2018, 62). They uncover different aspects of a complicated dynamic. One can focus on the problems of audience and reception. And I think that this is fruitful and important. But, and this is where Hardison and I might part company, focusing on these issues can lead one to believe that Jane Crow dynamics are easier to abolish than they are.

One might suspect, as some of the anonymous reviewers of this essay have, that all the literary production of US Black womenkind means that US Black womenkind don’t actually face Jane Crow dynamics. Because, and this seems to be the take-home point of the second critique, and as Hardison explains, “Structural realities (and inequities) demand black women’s invisibility, but black women’s philosophical and literary efforts make them visible – first and foremost – to themselves” (2018, 57). And this is the crux of our potential disagreement.

What do we mean by “make them visible” and, more importantly, where? In the domains where they are experiencing Jane Crow dynamics, i.e. epistemological and material compromises, or in the domains where they, arguably, are not? Because the empathetic audiences of “brown girls” outside of institutions that operate to our detriment are not major catalysts for the problem of Jane Crow unknowability, on my account. This is where domain specificity becomes important and one must reject the conclusion (as I do in “Theorizing Jane Crow”) that Jane Crow unknowability is invisibility simpliciter.

As Hardison explains, Pauli Murray’s experiences with racial and gender subordination motivated her towards identifying and signifying Jane Crow oppression (along with constructing epistemological orientations with which to do so) (2018, 61). What the anonymous reviewers and Hardison insist on is that “These fragments of knowing identify black women’s autobiography as a vehicle for positive self-concept and social epistemology.”

Moreover, Hardison claims, and rightly so, that though “Black women writers do not ‘resolve our dilemmas,’…they do ‘name them.’ In a destructive culture of invisibility, for black women to call out Jane Crow and counter with their self-representation has substantive weight” (2018, 62). I agree with all of these conclusions about the importance of Black women countering Jane Crow dynamics, even as I wonder what it means to say it has “substantive weight.”

I question this not because I disagree that such countering has substantive weight. It does. But part of what has to be interrogated in the 21st century, as we continue to grow weary of living with centuries old problematics, what does the abolition of Jane Crow look like? Are there other forms of “substantive weight” to pursue in tandem to our historical efforts?

In asking this I am not attempting to belittle the efforts that have gotten us to this point- with resources and tools to “call out and counter” Jane Crow dynamics. My work in this paper is impossible without the efforts of previous and current generations of Black womenkind to “name” this problem. Their work has been (and is) important. And for many of us it is lifesaving.  But- and yes, this is a ‘but,’ what next? I want a world other than this. And even if that world is impossible, which I half believe, I still want to work towards a world other than this today as part of what it means to live well right now. So, though this may be blasphemous in today’s Black feminist academy, I don’t think that Black women’s literary production is quite the panacea for Jane Crow dynamics that it is often assumed to be.[6] But then, from Hardison’s remarks, she doesn’t assume this either. How we come to this conclusion (and how we would extend it) may be quite different, however.

The Limits and Potential of Literary Production

And, yes, I think a focus on the socio-epistemic and material conditions of Jane Crow can help us detect the limits of relying on black women’s literary production for the abolition of Jane Crow dynamics, even if such production has an integral role to play in its abolition, e.g. producing knowledge that we use to form understandings about potential conditions of unknowability. And though I would argue that black women’s cultural production is key to worlds other than (and better than this). Because, as Hardison explains, such work helps us “confront the epistemic affront intrinsic to black women’s Jane Crow subjection,” (2018, 60).

I will still never argue that such production, by itself, can fix the problems we face. It cannot. But then, Hardison would not argue this either. As Hardison concludes, disruption of Jane Crow dynamics means a “a complete end to its material and epistemological abuses,” (2018, 62). Indeed- this is my position as well. In making this claim, we are not attempting to overshadow what has been (and continues to be) accomplished in US Black women’s literary production, but to continue to push our imaginations towards the abolition of Jane Crow.

Contact details: dotsonk@msu.edu

References

Dotson, Kristie. 2012. “A Cautionary Tale: On Limititng Epistemic Oppression.”  Frontiers: A Journal of Women Studies 33 (1):24-47.

Dotson, Kristie. 2013. “Radical Love: Black Philosophy as Deliberate Acts of Inheritance.”  The Black Scholar 43 (4):38-45.

Dotson, Kristie. 2014. “Conceptualizing Epistemic Oppression.”  Social Epistemology 28 (2).

Dotson, Kristie. 2015. “Inheriting Patricia Hill Collins’ Black Feminist Epistemology.”  Ethnic and Racial Studies 38 (13):2322-2328.

Dotson, Kristie. 2016. “Between Rocks and Hard Places.”  The Black Scholar 46 (2):46-56.

Dotson, Kristie. 2017. “Theorizing Jane Crow, Thoerizing Unknowability.”  Social Epistemology 31 (5):417-430.

Dotson, Kristie, and Marita Gilbert. 2014. “Curious Disappearances: Affectability Imbalances and Process-Based Invisibility.”  Hypatia 29 (4):873-888.

Hardison, Ayesha. 2018. “Theorizing Jane Crow, Theorizing Literary Fragments.”  Social Epistemology Review and Reply Collective 7 (2):53-63.

Hardison, Ayesha K. 2014. Writing Through Jane Crow: Racec and Gender Politics in African American Literarure. Charlottesville: University of Virginia Press.

Lyotard, Jean-Francois. 1988. The Differend: Phases in Dispute. Minneapolis: University of Minnesota Press.

[1] Nothing I am saying here is meant to indicate that literary critics are not (and can never be) philosophers. That is not a position I hold (Dotson 2016). Rather, the claim I am making is that treating people like philosophers can come with certain orientations. It takes extreme amounts of trust and belief that the person(s) whose thought one is exploring can act like a transformative element for the construction of composite understandings (Dotson 2013). It takes trust and belief to utilize someone else’s ideas to extend one’s own imagination, especially where those extensions are not written word for word. One way to treat a person’s work as philosophical work is to assume a form of authorship that allows one to use that work as a “home base” from which to explore and reconstruct the world that is implied in their abstractions. I call this activity, “theoretical archeology” (Dotson 2017, 418). And all I really meant to describe with that term was one way to take a writer as a philosopher. I had to become very detailed about my approach in this paper because of the propensity of anonymous reviewers to attempt to discipline me into literary studies or intellectual history.

[2] This is what I attempt to draw attention to in my work. The epistemological problems in Jane Crow, for example, are epistemological problems that might be able to exist without their corresponding material problems. The material problems in Jane Crow are material problems that might be able to exist without the epistemological problems. But in Jane Crow they are so linked up with each other that they reinforce and reproduce one another.  So, one can address the epistemological problems and leave the material ones (that eventually reintroduce those epistemological problems again). One can address the material problems and still leave the epistemological ones (that will eventually reintroduce those material problems again). Epistemic relations impact material relation and material relations impact epistemic relations, on my account. But they are not the same and they are not subject to domino-effect solutions. Fixing one does not mean one has fixed the other. And it is unclear one can make a claim to have fixed one without having fix both.

[3] If the reader needs more evidence that I have “figured this out,” see (Dotson 2012, 2016).

[4] There is a great deal about Lyotard’s account I would disagree with. But we are undoubtedly grappling with similar dynamics- though our subject population and approach differs significantly. Pauli Murray’s work pre-dates this formulation, however.

[5] I consider the appearance of this kind of seeming paradox to be a symptom of second order epistemic oppression. See (Dotson 2014).

[6] It may be my lower-socio-economic class background that makes it hard to accept the position that writing is going to save us all. I acknowledge that Black womenkind in the places where I am from needed literature and other cultural products for our survival (especially music, social and film medias. The kind of emphasis on writing in this exchange has a tinge of classism. But we can’t do everything here, can we? There is much more dialogue to be had on these issues.) Though, some might say, as Murray did that we need a “brown girl’s heart to hear” our songs of hope. I will agree with this and still maintain that I needed far more than that. When child protective services were coming to attempt to take me from my very good, but not flawless mother, I needed not only brown girl’s hearts. I also needed hierarchical epistemological orientations and oppressive, material conditions to lose hold.

Author Information: Ayesha Hardison, University of Kansas, hardison@ku.edu

Hardison, Ayesha. “Theorizing Jane Crow, Theorizing Literary Fragments.” Social Epistemology Review and Reply Collective 7, no. 2 (2018): 56-63.

The pdf of the article gives specific page references. Shortlink: https://wp.me/p1Bfg0-3UA

Please refer to:

Image by Trojan_Llama via Flickr / Creative Commons

 

To acknowledge Jane Crow, the term Pauli Murray contrived to unmask black women’s intersecting race and gender oppression, is not the same as understanding how black women’s subjection works—or why it persists. In “Theorizing Jane Crow, Theorizing Unknowability,” Kristie Dotson defines Jane Crow as a system of practices subjugating black women materially and epistemologically. That is, Jane Crow restricts black women’s inalienable rights to citizenship and limits their equitable access to resources.

Moreover, Jane Crow forecloses comprehension of the disenfranchisement it engenders. Dotson explains, “The complex bind of Jane Crow subordination is constituted by occupying simultaneous hyper-visibility, i.e. membership in social categories policed and suppressed for the maintenance of some form of supremacy, and invisibility, i.e. the limited nature of using those social categories to understand the specific nature of the subordination in question.”[1] Jane Crow, Dotson argues, singles out black women and girls for repression and control and summarily casts them as ciphers, nonentities “hidden in plain sight” despite statistics documenting their plight.[2] As a result of their concurrent hypervisibility and invisibility, black women are perceived as “unknowable” to the social, political, and cultural brokers upholding white supremacy and patriarchy. They are systematically targeted, branded as pathological, pared down to stereotype, regarded as disreputable, and ultimately deemed untenable.

I agree with Dotson: Jane Crow is a material and epistemological problematic manifest in black women’s longstanding repudiation in US hegemonic culture, a phenomenon theorized in black feminist thought since its beginnings. Black women have been relegated historically to the margins of black freedom struggles and women’s movements, and they continue to struggle for legibility in our post-civil rights moment particularly, as Dotson highlights, in the context of familiar narratives about the “endangered black male.”[3]

Yet, constitutive to black women’s epistemological quandary under Jane Crow, i.e. the way racism and sexism impacts their ability to produce knowledge, is the conceit that black women’s narratives about their multivalent oppression register similarly in hegemonic and counterhegemonic spaces. For example, a 2017 New York Times article uses the term Jane Crow to describe the practices of Children’s Services to punish poverty-stricken black and Hispanic women’s parenting by removing their children from their homes. The piece quotes a lawyer at length to indict the epistemic nature of the system’s biases:

There’s this judgment that these mothers don’t have the ability to make decisions about their kids, and in that, society both infantilizes them and holds them to superhuman standards. In another community, your kid’s found outside looking for you because you’re in the bathtub, it’s ‘Oh, my God’—a story to tell later. … In a poor community, it’s called endangering the welfare of your child.[4]

The state’s criminalizing narrative, based on discriminatory racial, gender, and economic geographies, exemplifies the distorted perspectives on black women’s structural disadvantages. Black women continue to be “unknowable” in dominant culture due to its investment in white supremacy and patriarchy. However, black women are not unknowable to themselves, especially if we consider their writing as epistemological endeavors instructive for their readers as well as their conceptualization of self.

An analysis of African American women writers’ engagement with Jane Crow is outside the scope of Dotson’s epistemological story in “Theorizing Jane Crow, Theorizing Unknowability,” but their texts illuminate the philosophical conundrum she identifies. From its conception, the African American women’s literary tradition has explored the realities of black women’s social condition under Jane Crow as well as considered, in its various fiction and nonfiction forms, the ways Jane Crow has shaped black women’s production of knowledge.

Pauli Murray’s own memoir Song in a Weary Throat (1987), which narrates the legal scholar’s civil rights activism throughout the twentieth century, makes concrete the material and epistemological injustices black women endure. Whereas Dotson theorizes Jane Crow by outlining the social factors facilitating black women’s “unknowability,” in literary studies, we might say black women’s “unknowability” is actually a matter of audience and, more importantly, a problem of reception. Structural realities (and inequities) demand black women’s invisibility, but black women’s philosophical and literary efforts make them visible—first and foremost—to themselves and each other.

“Theorizing Unknowability”

Dotson describes the conditions fostering black women’s invisibility as “a trifold structure of disappearing” that relies on “disregard, disbelief, and disavowal.”[5] First, black women occupy negative socio-epistemic space in hegemonic culture, which fixes them as unknowable. Public opinion largely classifies black women as irrelevant, and their social vulnerability permits rigid stereotypes that further their invisibility rather than inspire challenges to it. Dotson explains, “a catalyst for invisibility can be seen as, in part, epistemic failings with respect to what we use to make sense of our worlds that serves to obscure certain populations.”[6]

Second, black women experience reduced epistemic confidence, which means they are not afforded plausibility, seen as credible, or viewed as worthy subjects to be “believed in.”[7] In conjunction with the epistemic failings that encourage a disregard of black women, a common-held disbelief in black women delimits their capacity to contribute to the social production of knowledge.

Finally, black women are susceptible to heightened epistemic backgrounding, by which they are demoted to bit players in their own stories or employed as material for juxtaposition instead of subjects of inquiry. Such disavowal, Dotson expounds, displaces black women “as the backdrop of some other subject(s) of contemplation.”[8] Together these three negating environs underwrite black women’s invisibility, which effectively mystifies their Jane Crow oppression by the state and delegitimizes their discernment of their social status.

Dotson’s methodology invites a literary approach to her philosophical interrogation of Jane Crow’s epistemological assault. For example, she cites Toni Blackman’s poetry to exemplify black women’s negotiation of their presence so often mistaken for absence. However, when engaging Pauli Murray’s conceptualization of Jane Crow, Dotson focuses on Murray’s academic and public scholarship. She is careful to note that her work is not an intellectual history of Murray but a “theoretical archeology” of Jane Crow. “It is a story sketched between conceptual fragments in Black women’s social theory,” she writes.[9]

To compose an epistemological story, Dotson stitches together theoretical fragments from Murray’s 1947 article “Why Negro Girls Stay Single” and 1965 essay “Jane Crow and the Law: Sex Discrimination and Title VII.” She also mines a quote from Murray’s 1970 essay “The Liberation of Black Women,” in which Murray clarifies, “Jane Crow refers to the entire range of assumptions, attitudes, stereotypes, customs, and arrangements that have robbed women of a positive self-concept and prevented them from participating fully in society as equals with men.”[10]

Dotson highlights this fragment’s epistemological relevance by concentrating on the causes of Jane Crow oppression. She contends black women’s “unfavorable placement with respect to prevailing” assumptions, stereotypes, and customs sanctions the material effects and epistemic circumscriptions of Jane Crow.[11] In effect, her grappling with and suture of Murray’s philosophical fragments challenges the hierarchal epistemologies that have characterized black women as unknowable and unknowing.

I appreciate Dotson’s attentive epistemological reading, and I am struck also by the fragment’s reference to Jane Crow’s influence on black women’s “positive self-concept.” This, too, is epistemologically relevant, and I would go further to suggest that it is within fragments of Murray’s creative and nonfiction writing that an inchoate discourse about black women’s positive self-concept, which is often overlooked and undervalued, emerges.

Image by AntonSLarsson via Flickr / Creative Commons

 

“Creatively Theorizing The Black Female Autobiographical Self”

Murray was an accomplished writer as well as a distinguished legal scholar. In addition to academic articles and law compendiums, she produced a collection of poetry, a biography of her grandparents, and her posthumously-published memoir Song in a Weary Throat. The latter takes its title from Murray’s published poem “Dark Testament” (1943), which sketches African American history from African society, captivity, and slavery to impending freedom over the poem’s twelve sections. Its speaker relays, “Hope is a song in a weary throat.”[12] Noticeably, “hope” is not included in the title of Murray’s autobiography, but its affect resonates in her extraordinary life story as a black activist, feminist, lawyer, priest, and poet.[13]

The speaker of “Dark Testament” goes on to entreat, “Give me a song of hope and love/And a brown girl’s heart to hear it” (italics original). This fragment, just a few lines later, suggests that a song of hope does not achieve its full transformative power without a brown girl’s heart and ear—or to put it another way, without an empathetic black female audience. In the introduction to Murray’s poetry collection, Morris Milgram reveals the activist/poet thought of “Dark Testament,” a prodigious narrative, as “only a fragment and forerunner of the epic of black America yet to be written.”[14]

Nonetheless, the fragment frames Murray’s memoir as a song of hope. It also signals the importance of a black female reader to whom and for whom her production of knowledge would be regarded, believed, and avowed despite the presumptions of “unknowability” black women’s Jane Crow oppression provokes.[15]

In her essay “Being the Subject and the Object,” Barbara Christian recalls her experience reading African American women’s fiction, namely Paule Marshall’s novel Brown Girl, Brownstones (1959), for the first time. She writes that the “woman-voice” of the black female protagonist’s mother “constantly interrupted my mind-voice. Her anguish-rage warned me of trials I might have to face.”[16] Marshall’s coming of age tale resonated with Christian, as the latter internalized the lessons she gleaned from the protagonist’s racial and gender struggles.

The novel allowed Christian to confront the epistemic offense intrinsic to black women’s Jane Crow subjection. “In it,” she writes, “I as subject encountered myself as object.”[17] By reading black women’s writing, Christian distinguishes herself as a reader, a subject, from that which is read, an object. Her confrontation with herself as an object codified her abiding invisibility in American literature and culture even as it marked her obvious presence. Christian surmises Brown Girl, Brownstones “was crucial to a deeper understanding of my own life,” and she later learns from a conversation with Marshall that it was written “to unravel [the black female writer’s] own knots.” Central to the acts of reading and writing, then, is black women’s knowing.[18]

Christian’s reflection minds African American women’s fiction, but its premise is helpful for thinking about black women’s epistemic endeavors in nonfiction.[19] A cursory review of black women’s literary criticism in autobiographical studies reveals fragments theorizing their unknowability as well as their efforts to counteract it. In Black Women Writing Autobiography, Joanne Braxton expresses, “We have been knowers, but we have not been known.”[20] She elucidates that autobiography is a way for African American women to “meet,” or know, their mothers “on the conscious plane,” as exemplified by her study of the works of Harriet Jacobs, Ida B. Wells, Nina Simone, and Maya Angelou among others. “Defying every attempt to enslave or diminish them or their self-expression in any way,” Braxton writes, “black women autobiographers liberate themselves from stereotyped views of black womanhood, and define their own experiences.”[21]

Similarly, Margo Perkins contends that the autobiographies of Angela Davis, Assata Shakur, and Elaine Brown construct “an alternative history that challenges hegemonic ways of knowing.”[22] Finally in Words of Witness, Angela Ards asserts that personal narrative and political discourse intersect within an autobiography to create a “deliberative space where readers” can “imagine the new vocabularies and strategies that the moment demands.”[23] These fragments of knowing identify black women’s autobiography as a vehicle for positive self-concept and social epistemology.

In Song in a Weary Throat, Murray relays the moment she decided to write her memoir late in the narrative. While contemplating a faculty appointment at Brandeis in 1968, she explains, “Suddenly I realized that what I really wanted to do was to write an autobiographical book on Jim Crow and Jane Crow—racism and sexism as they had impinged upon my life.”[24] Murray elected to do both, to teach and write during the summer. Her purpose for penning the book, to write about sexism during the height of twentieth-century black freedom struggles, echoes her resolve to confront systemic oppression depicted throughout her memoir.

Earlier in the text Murray discloses her decision to attend Howard Law School “with the single-minded intention of destroying Jim Crow.”[25] However, it is during her time there that she began to theorize Jane Crow, “the twin evil of discriminatory sex bias,” as she was the only female student in her class at the all-black institution which had no women faculty and only one female staff member.[26] “[T]he racial factor was removed in the intimate environment of a Negro law school dominated by men,” she writes, “and the factor of gender was fully exposed.”

Murray describes experiencing the material affects of Jane Crow as well as its epistemological repercussions in this period of her life. She is excluded from the legal fraternity and its extended networks due to her gender. Although she characterizes her male classmates as “friendly,” she qualifies that they “seemed to take it for granted that I had nothing to contribute. For much of that first year I was condemned to silence unless the male students exhausted their arguments or were completely stumped by a professor’s question.”[27] Murray is barred customarily from adding to the class’s production of knowledge. Consequently, she writes that her realization “women were often the objects of ridicule disguised as a joke” by her classmates and professors “aroused an incipient feminism in me long before I knew the meaning of the term ‘feminism.’”[28]

Song in a Weary Throat details Murray’s experiences with racial and gender subordination, but it also outlines the processes of knowledge production that motivated her to identify and signify her Jane Crow oppression.[29] She theorizes the practice in law school, and she applies the term in her 1947 essay “Why Negro Girls Stay Single.” Yet, it is in the fragments of her autobiography that Murray demythologizes black female epistemologies. Song in a Weary Throat is an enlightening testament to black women’s production of knowledge.

Coda

In the conclusion of her essay, Dotson asks, “How does one disrupt epistemic resources that hide their inadequacy behind the shape of its own sense making features? … Would one aim an intervention at the nature of imagination as a means of disrupting knowledge economies?”[30] In response to these questions, she states many black feminists, such as Pauli Murray and Kimberlé Crenshaw, and many black women writers, such as June Jordan, Toni Morrison, and Audre Lorde, “have tried.”  Yet such a feat could only be accomplished with the demise of Jane Crow—a complete end to its material and epistemological abuses.

Although I engage Pauli Murray as a writer here to offer a complementary approach to Dotson’s theorizing of Jane Crow, I do not claim that black women’s writing irons out Jane Crow’s material paradoxes. I do want to suggest black women’s self-articulation provides them a way to mitigate the intellectual confines of Jane Crow. Black women writers do not “resolve our dilemmas,” to return to Christian’s insights about the literary tradition, but they do “name them.”[31]  In a destructive culture of invisibility, for black women to call out Jane Crow and counter with their self-representation has substantive weight.

Contact details: hardison@ku.edu

References

Ards, Angela A. Words of Witness: Black Women’s Autobiography in the Post-Brown Era. Madison: University of Wisconsin Press, 2015.

Bobo, Jacqueline.  Black Women as Cultural Readers. New York: Columbia, 1995.

Braxton, Joanne M. Black Women Writing Autobiography: A Tradition within a Tradition. Philadelphia: Temple University Press, 1989.

___. “Autobiography and African American Women’s Literature.” African American Women’s Literature. Eds. Angelyn Mitchell and Danille K. Taylor.  Cambridge, UK: Cambridge University Press, 2009. 128-147.

Christian, Barbara. “Being the Subject and the Object: Reading African-American Women’s Novels.” New Black Feminist Criticism, 1985-2000. Eds. Gloria Bowles, M. Giulia Fabi, and Arlene R. Keizer. Urbana: University of Illinois Press, 2007. 120-126.

Clifford, Stephanie and Jessica Silver-Greenberg. “Foster Care as Punishment: The New Reality of ‘Jane Crow.’” New York Times July 21, 2017. Accessed January 31, 2018 https://www.nytimes.com/2017/07/21/nyregion/foster-care-nyc-jane-crow.html

Cooper, Brittney C. Beyond Respectability: The Intellectual Thought of Race Women. Urbana: University of Illinois Press, 2017.

Dotson, Kristie. “Theorizing Jane Crow, Theorizing Unknowability.” Social Epistemology: A Journal of Knowledge, Culture and Policy 31:5 (2017) 417-430.

Graham, Maryemma. “Introduction.” The Cambridge Companion to the African American Novel. Cambridge, UK: Cambridge University Press, 2004. 1-16

Hardison, Ayesha K. Writing through Jane Crow: Race and Gender Politics in African American Literature. Charlottesville: University of Virginia Press, 2014.

Perkins, Margo V. Autobiography as Activism: Three Black Women of the Sixties. Jackson: University Press of Mississippi, 2000.

Petry, Ann. The Street. 1946. Boston: Houghton Mifflin Company, 1998.

Milgram, Morris. “Introduction.” Dark Testament and Other Poems. Norwalk, CT: Silvermine, 1970.

Murray, Pauli. “Dark Testament.” 1943. Dark Testament and Other Poems. Norwalk, CT: Silvermine, 1970. 12-27.

___. Song in a Weary Throat: An American Pilgrimage. New York: Harper & Row, Publishers, Inc., 1987.

___. “The Liberation of Black Women.” 1970. Words of Fire: An Anthology of African-American Feminist Thought. Ed. Beverly Guy Sheftall. New York: The New Press, 1995. 186-197.

[1] Kristie Dotson, “Theorizing Jane Crow, Theorizing Unknowability,” Social Epistemology: A Journal of Knowledge, Culture and Policy 31:5 (2017): 417.

[2] Ibid., 420, 425.

[3] Ibid. The degree of black women’s visibility in the current #metoo campaign is also debatable, given the limited discussion of their experiences in Hollywood despite the hashtag’s origin in black female activist Tarana Burke’s grassroots organizing around sexual abuse.

[4] Maisha Joefield, the mother penalized under these circumstances, shares in the article that the temporary removal of her child still makes her nervous: “You’re afraid to parent the way you would normally parent.” The ritualized castigation of poor black mothers with scarce options for childcare speak to the circuitous material and epistemological aspects of their Jane Crow oppression. Stephanie Clifford and Jessica Silver-Greenberg, “Foster Care as Punishment: The New Reality of ‘Jane Crow,’” New York Times July 21, 2017, Accessed January 31, 2018, https://www.nytimes.com/2017/07/21/nyregion/foster-care-nyc-jane-crow.html.

[5] Dotson, “Theorizing Jane Crow, Theorizing Unknowability,” 426.

[6] Ibid., 423.

[7] Ibid., 424.

[8] Ibid.

[9] Ibid., 418.

[10] Pauli Murray, “The Liberation of Black Women,” 1970, Words of Fire: An Anthology of African-American Feminist Thought, edited by Beverly Guy-Sheftall (New York: The New Press, 1995), 186.

[11] Dotson, “Theorizing Jane Crow, Theorizing Unknowability,” 421.

[12] Pauli Murray, “Dark Testament,” Dark Testament and Other Poems (Norwalk, CT: Silvermine, 1970), 22.

[13] Murray’s public identities are the subtitle to the eponymously titled 1989 edition of her autobiography.

[14] Morris Milgram, “Introduction,” Dark Testament and Other Poems (Norwalk, CT: Silvermine, 1970), n pag.

[15] Jacqueline Bobo differentiates the interpretive community black women create from audiences that passively consume representations perpetuating black women’s ideological domination. Within an interpretive community, “women utilize representations of black women that they deem valuable, in productive and politically useful ways” to challenge their cultural subordination. Jacqueline Bobo, Black Women as Cultural Readers (New York: Columbia, 1995), 22.

[16] Barbara Christian, “Being the Subject and the Object: Reading African-American Women’s Novels,” New Black Feminist Criticism, 1985-2000, edited by Gloria Bowles, M. Giulia Fabi, and Arlene R. Keizer (Urbana: University of Illinois Press, 2007), 121.

[17] Ibid., 122.

[18] African American women’s fiction also theorizes black women’s Jane Crow oppression. For example, Ann Petry’s novel The Street, published in 1946 one year before Murray’s essay “Why Negro Girls Stay Single,” examines Lutie Johnson’s interlocking racial, gender, class, and sexual oppressions as a single mother and domestic worker in Harlem during WWII. Lutie is aware of her invisibility among her white employers, who assume she is promiscuous, and she questions the purpose of being taught how to write, as her voice is undermined throughout the novel. Of course, the existence of Petry’s novel attests to the importance of black women writing and sharing their stories.

[19] The social aims of black women’s fiction and life writing are not mutually exclusive. Maryemma Graham points out “the autobiographical impulse in the African American novel. The continuous need to explain and ‘inscribe the self’ in a world which has historically denied the existence of that self gives both focus and intensity to the act of writing a story about black life.” Maryemma Graham, “Introduction,” The Cambridge Companion to the African American Novel (Cambridge, UK: Cambridge University Press, 2004), 5.

[20] Joanne M. Braxton, Black Women Writing Autobiography: A Tradition within a Tradition (Philadelphia: Temple University Press, 1989), 1.

[21] Joanne M. Braxton, “Autobiography and African American Women’s Literature,” African American Women’s Literature, edited by Angelyn Mitchell and Danille K. Taylor (Cambridge, UK: Cambridge University Press, 2009), 128.

[22] Margo V. Perkins, Autobiography as Activism: Three Black Women of the Sixties (Jackson: University Press of Mississippi, 2000), xii.

[23] Angela A. Ards, Words of Witness: Black Women’s Autobiography in the Post-Brown Era (Madison: University of Wisconsin Press, 2015), 16.

[24] Pauli Murray, Song in a Weary Throat: An American Pilgrimage (New York: Harper & Row, Publishers, Inc., 1987), 388.

[25] Ibid., 182.

[26] Ibid., 183.

[27] Ibid., 183-184.

[28] Ibid., 183, 184.

[29] Murray’s autobiography foregrounds her battles with racism and sexism in her public life to the exclusion of her efforts to understand her queer and nonnormative sexual and gender identities in her private life. Brittney Cooper’s intellectual history of Murray highlights the ways Jane Crow and the politics of respectability inform black women’s praxis as “knowledge producers” (102). She reveals, “at exactly the same moment that [Murray] named Jane Crow as a form of sexist discrimination that she experienced as a woman, she was frequently being hospitalized for depression related to her struggle with her gender identity” (100). In my own work on Murray, I argue Song in a Weary Throat “resounds with silence” about her struggle with her gender identity due to Jane Crow’s “literary inscriptions” for black women’s self-representation (17, 15). Brittney C. Cooper, Beyond Respectability: The Intellectual Thought of Race Women (Urbana: University of Illinois Press, 2017); Ayesha K. Hardison, Writing through Jane Crow: Race and Gender Politics in African American Literature (Charlottesville: University of Virginia Press, 2014).

[30] Dotson, “Theorizing Jane Crow, Theorizing Unknowability,” 426.

[31] Christian, “Being the Subject and the Object,” 122.

Here is the full video of Albert Doja’s lecture at Harvard University, “Social Morphodynamics: Mapping Identity Transformations, Cultural Encounters, and the Evolution of Core Values.” A written version of the lecture appeared earlier this week on our site. Some of the content in the video is a little bit different from the written version, and includes a question-and-answer session with the live audience.

Please refer to:

 

Author information: Albert Doja, University of Lille & University of Harvard, adoja@fas.harvard.edu

Doja, Albert. “Social Morphodynamics: Mapping Identity Transformations, Cultural Encounters, and the Evolution of Core Values.” Social Epistemology Review and Reply Collective 7, no. 1 (2018): 14-25.

The pdf of the article gives specific page references. Shortlink: https://wp.me/p1Bfg0-3Sz

In this paper given to Harvard CES community in the framework of my appointment as a Visiting Research Scholar, I outline a personal account of a theoretical path toward a specific research project and scientific method, which I believe may figure out what anthropology is or may be heading today. European societies are facing new challenges stemming from cultural encounters and identity transformations. These have revealed the vulnerability of the EU project and cosmopolitan European identity.

To address these challenges I propose a new theoretical and methodological approach. My research in progress on European identity transformations draws on structural socio-anthropology and aims to develop some of Lévi-Strauss’s and Pierre Bourdieu’s conceptual and theoretical tools. I outline a complex research strategy including the use of Bayesian inference and computer formalism, while comparison of the findings with policy choices and practices will make it possible to assess the effects of European integration policies.

A colour-adjusted photo of buildings bombed during the Kosovo War.
Image by MagneG via Flickr / Creative Commons

 

Introduction

This September 2017, I took up an appointment at Harvard University where I am offered a visiting position at the Center for European Studies. Today September 20, 2017, I have the honor to be the first to open the Visiting Scholars Lecture Series with this talk to Harvard community, which makes me feel very much honored and be very grateful to be part of Harvard intellectual community. Two weeks earlier, at the end of the induction day of Harvard CES Visiting Scholars, we went to look, among other things, what it means to a freshman to touch John Harvard’s feet.

Before that, however, I came at Harvard through the Massachusetts Avenue and I first stopped at the Massachusetts Institute of Technology, where so many things are being done on quantum theory, on artificial intelligence, and on “anthropological futures”, to mention but the title of a book by Michael Fischer, a MIT professor of anthropology. Moving from one quarter to another, the mind is constantly up a storm that could push the limits of human performance and understanding. As a French educated and French minded anthropologist, a memorable question came immediately to my mind from Marvin Minsky and his Society of Mind: “What magical trick makes us intelligent?”

Quite naturally, I found myself asking – What is a magical trick that makes the research I am doing? What magical trick makes identity politics so powerful? Paraphrasing Marvin Minsky, the trick is that there is no trick. The research I am doing as the power of identity politics or the importance of populism that is taking much of our debates nowadays, as we have seen last week at CES, stem from the vast diversity of people’s minds, not from any single, perfect principle, value, idea, or motivation. People’s actions and decisions, like the research any of us is doing, “emerge from conflicts and negotiations among societies of processes that constantly challenge one another” (Minsky 1986, 308).

Among many things, the cognitive revolution is now a contemporary interdisciplinary effort to provide scientific answers to long-standing epistemological questions. It was born here, in this intellectually stimulating environment, as an important intellectual movement among some celebrated forefathers, the computer scientists Herbert Simon and Marvin Minsky, the psychologists George Miller and Jerome Bruner, the linguist Noam Chomsky and the French anthropologist Claude Lévi-Strauss.

The Influence of Lévi-Strauss

For Lévi-Strauss, since human brains are themselves natural objects and since they are substantially the same throughout the species Homo sapiens, we must suppose that when cultural products are generated the process must impart to them certain universal (natural) characteristics of the brain itself. Thus, in investigating the elementary structures of cultural phenomena, we are also making discoveries about the nature of humankind.

Verbal categories provide the mechanism through which universal structural characteristics of human brains are transformed into universal structural characteristics of human culture. In this way, category formation in human beings follow universal natural paths. It is not that it must always happen the same way everywhere but that the human brain is so constructed that it is predisposed to develop categories of a particular kind in a particular way.

The epistemological issues of anthropological knowledge and the ethical conception of the anthropologist’s work are consistently present throughout Lévi-Strauss’s work, in its ontological, aetiological and salvational dimensions, as he dealt with both the nature and the denaturation of humankind and society, trying to return to the means, or showing the absence of means, to alleviate the evils. Clearly, it is his own adroitness and talent to have been able to establish the theoretical foundations of a revolutionary contribution, both scientific and humanistic, to general anthropology.

Contrary to the received ideas of his critics, little of recent topical, ethical, methodological or epistemological interest escaped Lévi-Strauss’s notice, understanding and engagement. His corpus of work is far-reaching and comprehensive in scope, encompassing methodology, philosophy, history, humanism, mythology, linguistics, aesthetics, cognition and reasoning. Indeed, Claude Lévi-Strauss anticipated and called for the advent of what I believe must be the future of a theoretical anthropology. He is hailed as a “Hero of our time”, by Susan Sontag and many others since the early 1960s (Sontag 1963), and his vision and ambition was to provide a new epistemology and a new ethics, a new approach to methodology and a new global awareness (Doja 2008, 2010a).

While revisiting the old debate between Derrida and Lévi-Strauss on the place of writing (Doja 2006a, 2006b, 2007), I came to the conclusion as many others (cf. Wiseman 2009) that we must legitimately ask to what extent, at least in popular imagination, a version of structuralism invented retrospectively by “poststructuralists” has become substituted for the real thing.

Anthropology today concerns itself with questions of identity politics, migration, diseases, famine, poverty, feminism, reflexivity, corruption, illiberalism, globalism, ethnic conflicts, civil wars, human rights, cultural activism, fundamentalism, terrorism, and many other related themes. An attempt to restore Lévi-Strauss to a central position can hardly prove immediately relevant to all of these social and political issues. Yet it is possible to show that structural anthropology may innovatively account for much more than the dynamics of social systems and the praxis of competitive and strategic practices.

Some of Lévi-Strauss’s achievements could lay strong claim to having mapped, within anthropology, the philosophical parameters of an increasing preoccupation with issues of contextualization and reflexivity in the face of the declining coherence of meta-narrative and grand theory, as well as with issues of political concern and engagement in the post-colonial era. We may be correct in asserting that Lévi-Strauss used structural arguments coherently and correctly to analyze the cultural order, its transient character by means of entropy and irreversibility, and not surprisingly, deconstruction, or rather “dissolution”, to use its own term, and self-reflexivity.

I have been fortunate enough to meet Lévi-Strauss in person. As I also said on occasion elsewhere (Doja 2013, 42), when I met him for the first time during a party in the impressive Library of the Social Anthropology Laboratory where I was doing my Ph.D., I presented him some Albanian ethnographic data in a typical way, that is, thinking I had something to tell that could interest him. I remember there was something about the motives of Albanian medieval ballads, warrior songs, customary laws, social organizations and the like. Surely, he paid particular attention to my matter, seemingly out of courtesy, but I remain grateful for his critical encouragement of my rather untypical theorizing attitude, which I will have to develop later.

I was talking about the possibility of linking my stuff to incest prohibition theory and structural analysis of myths with the aim of revealing the hidden ideological dimension and instrumental character of social values like honor morality. My purpose was to point at the silencing of human agency, in particular women’s agency, under the appearance of structural coherence. Was he still listening just out of courtesy, especially to my critical, yet insufficiently developed ideas of the interactive relationship between structure and agency? No doubt! Yet, guess what? When I met him again ten years after, not only he had nothing forgotten of what I told him ten years earlier, but he also infallibly remembered my own theoretical position almost with the same terms, a discussion that we followed in the years to come through a number of letters exchanged.

Nevertheless, I remained an “inconstant” disciple. There was a time in my anthropological training when, educated in France in the early 1990s, I found Lévi-Strauss simultaneously inspiring and terrifying, which ultimately convinced me of the superiority of what I had learned. In the next phase, after moving to Britain in 2000 to take up a Lectureship at the University of Hull and then a Senior Fellowship at the University of Limerick in Ireland, all my anthropological knowledge gained in the French tradition of anthropology was so challenged by various British-American postmodern approaches of the time as I reached to the point that I had everything to learn from the beginning.

But with maturity, I came to see that with Lévi-Strauss there is perhaps more truth in the next than in the previous side of my anthropological education. Arguably, some aspects of Lévi-Strauss’s theory may be advanced as a workable methodology helping us to build innovative anthropological approaches to agency and politics in history, culture and society.

Image by ShinyPhotoScotland via Flickr / Creative Commons

 

The Morphodynamic Approach

One of the more powerful of Lévi-Strauss’s ideas is his description of the generative engine of myths on the basis of the set of their own transformations. In mythical thinking, the basic transformations that Lévi-Strauss distinguished between a number of characters or terms of myths and their large number of possible roles or functions are controlled by means of a special relationship that he formulated in a canonical way, which demonstrates how the transformations of the myths can be captured. Lévi-Strauss’s concept of canonical formulation that articulates the transformational dynamics of mythical networks transcends a simple analogical relation to a quadratic equation, Fx(a):Fy(b)::Fx(b):Fa‑1(y), which articulates a dynamic homology between meaningful elements and their propositional functions. This formulation made it possible for Lévi-Strauss to detect a sort of genuine logical machine generative of open-ended meaning within specified mythical networks.

In a quadratic equation of this kind, the generative virtues of the so-called “double twist” of the canonical transformation in the structural study of myth imply two conditions internal to canonical formalization. According to Lévi-Strauss, a formulation of this type reflects a group of transformations in which it is assumed that a relation of equivalence exists between two situations defined respectively by an inversion of terms and relations, provided that one of the terms is replaced by its opposite and that a correlative inversion is made between the function value and the term value of two elements (Lévi-Strauss 1955, 252–253 [Eng. 228]).

After the method for the structural study of myth was introduced (Lévi-Strauss 1955), the generative virtues of the so-called “double twist” of canonical transformation have remained for a long time not understood, until the knowledge progress in qualitative mathematics became sufficiently advanced to understand them, especially after they were made comprehensible as an anticipated formalization of catastrophe models in new mathematics and morphodynamics (Petitot 1988; Scubla 1998; Maranda 2001; Desveaux 2001).

What is more important, for a catastrophist operation of this kind to take place, the very idea of canonical relation requires a third operating condition, which is external to canonical formalization. In all cases, it is expressed as the necessity of the crossing of a spatiotemporal boundary, defined in territorial, ecological, linguistic, cultural, social, or other terms, but which is always a boundary condition in mathematical sense, required to be satisfied at the boundary of a topological domain in which a set of differential equations is to be solved.

The catastrophist operation that requires a boundary condition of this kind is claimed by Lévi-Strauss to be important in determining the mathematical solutions to various mythical problems. Namely, a series of variations inherent in the myths of a given people cannot be fully understood without going through myths belonging to another people, which are in a relation of inverse transformation with the formers.

The great discovery of Lévi-Strauss made it possible for structural anthropology to overcome the logic of binary oppositions – to which it is too often and obstinately reduced – in order to become a morphogenetic dynamics. In a broad sense, while the key categories that Lévi-Strauss developed are embodied in the anthropological objects he studied (myths and mythical networks), they have the potential to be usefully and critically applied to other domains if radically tweaked.

Many studies show that the structural analysis initiated by Lévi-Strauss may innovatively account for the ways in which social relations are ever more mediated by and implicated in broader political processes (Asch 2005; Marchart 2008; Constable 2009). In this wake, my original idea is to argue that the requirement of a boundary condition in canonical formalization can anticipate the discursive activation of a particular cultural ideology acting as a hidden agency of instrumental politics. Let me illustrate briefly with some cases of sometimes accomplished and sometimes still ongoing research projects.

Cultural Activism

A common topical issue of Balkan ethnography, especially Albanian ethnography, is the view that associates patriarchal cultural traits with high fertility rates, extended family structures, marriage patterns, and the cultural myths and ideologies of honor and blood. Without disputing the notion of the Albanian family system being patriarchal, it seems that the cultural myths and ideologies associated with patrilineality are conflated with the actual practices of patriarchy. Many commentators have too easily assumed that the patriarchal language and discourses that symbolically support patrilineality result uniformly in outcomes and practices that they simply reify as patriarchal (e.g. Kaser 2008).

Almost ten years ago, I took up a more careful reading and systematic critical analysis of demographic data, historical sources and ethnographic evidence to show that the Albanian family is confronted since a long time with particularly low fertility rates and with a relatively high average age at marriage for women, which cannot support the assumption of a patriarchal extended family (Doja 2010b). Arguably, a more analytical approach to the alleged segmentary organizational pattern of parallel agnatic groups of men in Southeast European societies, including Albania, would also reveal that the segmentary structure of social organization appeared inadequate.

A morphodynamic approach and transformational analysis can show that the ideological construction of these myths can be invalidated if we take what is put forward as empirical evidence is nothing more than a strong cultural activism, acting as a kind of what I call a cultural Viagra for social survival. In this situation, cultural pressure subjugates both women and men to the reproduction of social norms and values, aiming at limiting Albanian women to their childbearing function and Albanian men to their protecting function. In this way, the cultural activism commonly obscures an important fact of a purely ideological dimension, which could be only uncovered after mapping the overall data within a canonical formalization of morphodynamic approach and transformational analysis.

This photo was originally taken in 2000, in a field in Pristina, Kosovo.
Image by Andreas Adelmann via Flickr / Creative Commons

 

War Politics of Mass Rapes

Last year, at a conference on war and sexual violence held in CUNY Graduate Center in New York, resulting in a forthcoming edited volume, I presented another highly topical case that is even more explicit (Doja 2016). Feminist and other accounts of war rapes during the ethnic conflicts in former Yugoslavia and elsewhere have exposed extensively the importance of misogynistic masculinity, preparing the ground for an ahistorical approach, which has also reified a conceptualization of so-called backward Balkan social structures, norms, and values.

A common way of approaching the dimensions of mass rape and sexual violence during the sinisterly notorious ethnic conflicts in former Yugoslavia has been to explain them specifically against a cultural background supported by the existence of a tribal society, complex joint family structures known as zadruga in South Slavic areas, customary laws known as Kanun in North Albanian area, patriarchal practices, and other savage customs. This is not only obscure but also unscrupulous.

If we look closely to social and family structures, both marriage and vengeance rest on the symbol of blood and both are institutions that give shape to alliances. If marriage created a network of alliances and divided society in exogamous groups, vengeance also created a continuously moving scenario in which memberships and strategic alliances constantly coagulated the consistency of agnatic groups. In general, a relation of matrimonial affinity and hospitality was experienced as a relationship of friendship and solidarity just as a relation of feud vengeance was lived as a relationship of hostility. Yet, if matrimonial affinity and feud vengeance were opposed to one another as much as many other structural modalities of association or dissociation between different agnatic groups, friendship and hostility were part of the same opposition.

Matrimonial affinity and feud vengeance, friendship and hostility were only different expressions of a single and unique structural relationship. Definitely, the whole of social relations and values remained placed under the sign of ambivalence. In this sense, at a more empirical level, emotional sentiments as well as social relations and values of affinity, friendship, and hospitality, must have something in common with the relationship of love and solidarity to hatred and disintegration. Precisely this kind of structural ambivalence may allow a new theoretical and methodological approach to explain the effectiveness of mass rapes as a military strategy of ethnic cleansing in former Yugoslavia.

Marriage is a transaction of women exchanged between agnatic groups of men, a customary transaction intended to seal political alliances and conceal debts of blood, honor or money. In this sense, marriage is not only a social institution of sexual relations, but also a sexual regulation of social violence and a sexual institution of social stability. Also rape as a forced sexual intercourse is not a simple aggressive expression of sexuality, but rather a sexual expression of social violence. From the position of structural logic, marriage becomes possible by the means of matrimonial alliance that is supposed to bring love, friendship, and solidarity. In the same way, rape can be defined as a confrontational misalliance that becomes possible by the means of war, and which would necessarily induce hatred, hostility, and disintegration.

This is not, however, to understand women’s experiences of rape and marriage in a binary and rigid structuralist relation, because there is necessarily a problem with this argument that is inspired from Aristotle’s logic of analogy, which cannot be valid. The permutational relation between indexical terms and function values of both rape and marriage may be productively mapped onto a catastrophist model following Lévi-Strauss’s morphodynamic theory. Indeed, not only war is a catastrophe, but also rape in war is a catastrophe on its own. Accordingly, we may offer a catastrophist model to conceptualize rape by means of a canonical formalization in which the solidarity role of marriage will stand to the hostility of rape as the ambivalence of marriage stands to the rape politics of an unspeakable and unthinkable solidarity‑1, which is a solidarity upside down or anti-solidarity:

marriage (solidarity) : rape (hostility) :: marriage (hostility) : solidarity1(rape)

Here rape is replaced forcibly by marriage, its opposite, and a correlative inversion is made between the functional ambivalence of marriage and the unknown, unspeakable ontology of an enforced rape function. Yet, for a catastrophic operation of this kind to take place, the logical operation of a boundary condition is required. In a context in which mass rape was deliberately used as a possible instrument of ethnic cleansing, everything happened as if the activation of a specific political and instrumental agency was necessary for the notorious effectiveness of mass rape to take place.

This kind of ideological agency, which is mathematically identified by the requirement of a boundary condition in canonical formalization, can be shown to promote and put forward the cultural assumptions specific to a given group. During the Bosnian war and the Kosovo war in former Yugoslavia this specific agency was provided by the increasing role of traditionalist and nationalist discourses, which burst moral order and social morphology in the first place, precisely by bringing to the fore the destructive workings of family honor and blood ideology. Indeed, the mass rapes of women were intended to forcefully instill a kind of shame and disgrace as a social pollution that should bring necessarily the disorder and break-up of the social system of any group in its totality. Typically, at war, such a social pollution and catastrophic disorder is termed in Albanian with a generic term for “total killing”, shfarosje, which means literally “kinship uprooting”.

Returning to a paraphrased Lévi-Strauss’s terminology from The Raw and The Cooked (Lévi-Strauss 1964), the unspeakable political effectiveness of mass rapes is forwarded to account not just for a “raw” madness of cultural norms and values. It is mainly the twist of a “cooked” evil of ideological agency acting as an instrumental politics of ethnic cleansing during ethnic conflicts in former Yugoslavia. The cultural activism of family honor and blood ideology makes it possible afterwards for family norms and values to be converted into ethnic-religious ideology, for ethnicity to be converted into nationalist consciousness, for this consciousness to become organized into conflict, and for organized nationalism to become militarist, masculinist, misogynist, racist, and violent.

Identity Politics

The requirement of an operating condition that in the study of myth is expressed as a boundary condition in mathematical sense may be of particular interest for the study of identity transformations, in the comparative analysis of transformations resulting from intercultural dynamics, especially in processes of identity construction and identity politics. This brings to my last case, that is, my research proposal on the morphodynamics of European identity transformations that I intend to develop during my stay at Harvard as a CES visiting scholar, and which aims at reinvigorating neo-structural constructivism to turn the focus towards profoundly political implications.

Social relations are often weird and counterintuitive. Especially in the identity field, discursive practices do not always have definite ontological properties. They often appear to be entangled in strange combinations of seemingly incompatible states of either societal, ethnic-religious and national-populist, or civic and normative characteristics. In this sense, identity ontologies can be compared to the seemingly mysterious state of particles that in quantum mechanics is called superposition.

Both M.I.T. and French physicists are conducting real-life tests of whether quantum particles truly exist in superposition states. I assume that a comparable quantum connection to be tested may also exist in the identity field between seemingly opposed and incompatible identity ideas, values and motivations. The main assumption is that identity transformations are affected by seemingly opposite cultural ideologies that are in inverse relationship to one another and act as political instruments of power and hegemony.

On empirical level, I assume that European integration is never complete and unstable relations subsist between civic ideas and societal motivations. In term of research design, logical processes and political tensions must be explored in relation to identity shifting at societal, ethnic-religious, regional-national and supranational levels. In many situations, discursive practices are not necessarily positioned to provide a particular identity meaning, as the observer in social research, just as in quantum mechanics, influence what they observe. This only becomes clear once we look what they mean. Incompatible identities may become deeply connected as their properties match in opposition to one another when they are observed and mapped.

Here it is important that the distinction between indexical terms and functional values of the identity field is conceptualized topologically as relational, not substantial. This means that relative positions of identity indexes, kinds, agents, units, and ontologies are determined by a structured set of power relations and group identities that achieve their own transformations through identity politics. Actually, whatever its properties, any identity is only applicable in reference to an otherness and can only be realized on the boundary of one in contact or confrontation with, or in contrast to the other.

In this sense, civic ideas and ethnic motivations appear to exist in a quantum superposition state and possess multiple conflicting meanings at once. If they are entangled in this way, like in quantum mechanics, I predict that when the cultural position of ethnic motivations is revealed, both civic and ethnic identities will fall into exact opposed positions of instrumental ideologies. Here I assume that the identity field is again comparable with the Heisenberg uncertainty principle in quantum mechanics, given that the more exactly the cultural position of identity values and aims is determined, the less exactly the identity momentum of policy outcomes can be known. Indeed, the wave-particle duality in quantum physics might be thought as the multiplex interaction in the identity field between civic ideas and ethnic motivations.

On conceptual level, I assume that this instability reveals an apparent risk of discursive activation of hidden instrumental politics and ideological agency that could promote Ethnicization of European values and unsuspected outcomes of public policies. A neo-structural model of the identity field is expected to capture it, based on the evolution rules of canonical transformations defined by Lévi-Strauss and the concept of political field borrowed from Pierre Bourdieu. In Bourdieu’s field theory, power relations are reframed as lines of forces in an electromagnetic field and social space as a multiplicity of relatively autonomous fields. In the European identity field, the dynamics of interactions shows that discursive practices support or reject modalities of belonging that conform to public logics, which are instrumentally used to affect identity building and transformation.

While potential political tensions in the reproduction of identity field restrict or encourage boundary crossing, I assume that any transgression generates a hysteresis effect, which is mathematically calculable in electromagnetic and other fields, and which can explain identity politics as a system of identities depending on the history of their own transformations. Further logical-mathematical reformulations of Lévi-Strauss’s methodology can provide logical formalization of transformational regularities in concrete situations of identity field, which may allow taking hold of a “generative engine” of identities based on their own transformations.

This would mean, for example, that the double sequence of doing good to your natives and doing harm to foreigners is complemented by another double sequence of doing harm to natives as if you were doing good to strangers already ignored and inexistent [F(g)n:F(h)e::F(h)n:F(g)e‑1]. This may seem to be weird but it’s what happens more often than not, especially with public policies twisted by populist arguments.

Mapping the interaction between identity terms and functions onto permutational relations between identity indexes, functions, kinds, agents, units, ontologies and ideologies also reflect their positions in the identity field, while reformulating their topological relationship in canonical way will demonstrate how identity transformations can be captured and instrumental agency behind identity politics can be revealed. For example, computer simulations of the normative function [F(n)] of civic identity (Ci) will be confronted to the societal, ethnic-religious, nationalist/populist/fundamentalist function [F(e)] of cultural identities (Cu).

Ideally, this confrontation is supposed to bring the transformation of cultural identity into normative functional identity [F(n)Cu]. Yet, canonical formulation F(n)Ci:F(e)Cu::F(n)Cu:F(Ci)e‑1 also demonstrates whether normative function of civic identity [F(Ci)] is transformed into ambivalent agency, as political factions or societal groups could characterize a hidden unsuspected European identity (e‑1), or the “ethnicity” of an upside down Europe. Remember that in the structural study of myth an additional operating condition is required as a boundary condition in both empirical and mathematical sense. In the identity field, this validation requirement must lead us to search for hidden instrumental agencies of identity politics and ideology that could constrain identity transformation in one or another direction.

Finally, narrative references of indexical terms and functional values in coded categories of identity discursive practices and modelling validations of their sub-literal meanings provide precise indications to hidden realities that characterize empirical situations of either Ethnicization of sociocultural relations or Europeanization of societal, ethnic-religious, regional-national values. The target is to deliver a computational model to conceptualize and recursively map the determinants of civic solidarity and intercultural attitudes, which allow developing a policy instrument to assess how core values and identity transformations evolve as boundary conditions of European integration, social cohesion and intercultural dynamics.

On methodological level, which remains still the most underdeveloped part and beside collaboration with colleagues from Europe, I hope to develop this research project in collaboration with potentially interested Harvard faculty, anthropologists, sociologists, political scientists, computer scientists, and mathematicians. We need a heavy infrastructure design of computational models and protocols based on Bayesian inference, DEVS formalism, and construction of systemic numeric references to identity discursive practices. In practical terms, we explore the role of metaphoric and dichotomous aspects of discursive practices and the functional relationships they suggest in identity categorization. Functional shifts are assumed depending on whether the same metaphors of gender/kinship and building/construction are used as indexical terms of identity expression or as instrumental functions of identity politics.

The differential discontinuity between indexical terms and functional values in the identity field is a logic of dichotomization and permutation in metaphorical and metonymic series. Open series of antithetical pairs of identity indexes, kinds, agents, units, and ontologies, and the permutation of their indexical and functional values, are available to any agent across identity field to be pinned conspicuously on identity kinds of various reference units, be they individuals, societal groups, nation states, institutions, organizations. We identify non-exhaustive series of ontological assumptions of identity objectified in terms of indexical evidence referring to supposed origin, common cultural heritage, collective memory, language, religion, social/legal norms, institutional/political system, media, citizenship, sovereignty, or federation of the identity unit under consideration.

They allow configuring metaphorical/metonymic permutations of discursive practices that force instrumental functions of identity building to compel identity transformations. We assume that such functional values as recognition, socialization, distribution, diffusion, participation, persuasion, emulation, manipulation, imposition, discrimination, claim or contestation relate to actors’ ontological assumptions and motivations, thus identifying the subjective agency of underlying identity politics.

Computer-assisted textual analysis and agentive algorithms of discursive surveys will disaggregate literal meanings of narrative texts into multiple descriptors that make up and objectify indexical terms of identity expression and their functional values in identity politics. Their coding in sub-literal numeric references to indexical terms of characteristics, performances and affiliations, will create multiple datasets to map: 1) the distribution of identity situations and relations into constructed categories according to their function values of either common refuges of close belonging or separate clusters of open inclusiveness; 2) the presence or absence of indexical terms of behavioral components, convictions and attitudes related to corresponding function values of identity politics; 3) the permutation of indexical terms into functional values and vice-versa; 4) the identification of factors affecting such distributions and permutations with respect to sociocultural and political order.

Contact details: adoja@fas.harvard.edu

References

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